A gopher finds himself on a road where trucks are hauling produce to market. He hits on the idea of shaking some of the produce loose for himself, but other animals always beat him to the booty. That is, until a truck comes along with a cow...
Greg Berg
as Gopher (voice)
In Ireland they say it takes just three alcoholics to keep a small bar running in a country town. But what if you’ve only got two?
Mum is dead and has to be buried, and the brothers have to meet. But old conflicts quickly come back to life.
A repressed father. A buried secret. A chaotic family dinner. As tensions rise, Catholic guilt warps reality—and his hidden desires erupt into something surreal.
After her relationship abruptly ends, a woman isolates herself in a new apartment and becomes obsessed with a self-help book.
In bed, late on a sleepless night in the depth of winter, Eujin finds a small dust kid. She decides to do the cleaning she has been putting off for so long. Cleaning every corner of her room, she keeps finding other dust kids here and there, and starts clearing them up one by one. Just when she thinks she has cleaned her room and the dust kids are all gone now, she comes face to face with another one… When I am at home alone, I sit silently and mull over many things. As I think, my brain fills with pointless worries and anxiety. That’s when I start to clean my room. As I clean busily, wash the dishes and do the laundry I’ve been putting off, my anxiety disappears naturally.
Moving Matter is the culmination of a material-led process with artists from dance, costume design and film that began with a study of old kitchen flooring about to be discarded. This flax-based material enters our orbit in the 1950s, where a measured homelife and prescribed domesticity offered a reassuring antidote to bomb scares, political turmoil, and paranormativity. Stability topples as the flooring becomes entangled in the lives of those who don the material as garments and shelters. This film was made through Moving Matter, a long-term research-creation project that offers a methodology for rethinking the dynamism between raw materials, garments, and the body. Moving Matter steers the locus of choreography and wearable design away from human hierarchy to instead support truer collaboration amongst all moving materials, both human and non-human, in this case… linoleum.
Ben has been training hard for a year in order to participate in an important competition.
An upcoming film. A tradie visits an old friend after an argument with his partner. Surely he will have a solution...
Emilio, a six year old, feels deeply troubled by his parents' recent separation. Aware of his anguish, his grandmother decides to undertake a special mission to alleviate his emotions: to make him believe that he has the power to become invisible. Through this shared fantasy, they embark on an emotional journey where they learn to look beyond the superficial and recognize the true value of family bonds.
A minstrel, barred from entering a castle, is given a magic flute that can manipulate movement.
A scarecrow is trying to protect two birds from a cunning cat.
Two lovers hit the road for a holiday. They find a car that has been hit, and a dead woman by the accident. Two production assistants try to leave the set, but all the roads seem to hit the same spot, where they find a dead woman that walks.
Stephen and Deb, forced to spend the night in a crappy motel, are subjected to a series of crappy remakes of popular films.
Trans woman Mirae, who just can’t live with her family, tries to get a house by assault settlement.
1944, Japan. One of the kamikazes, by misfortune, survives. When he jumps with a parachute, he lands in Nardaran — right in the house of Gulbala, who is nicknamed “the Japanese.” When the representative of the State Security Committee learns of this unusual incident, he intervenes, saying: “This matter is under Stalin’s control; we must keep the Japanese alive,” and begins the operation. From then on, the funny stories continue.
A movie buff desperately wants to enter a theater to see a Fassbinder film but the doorman will not let him go because he has no ticket. The film is the confrontation between the two that ends with happy end.
