The South Korean city of Gwangju, will commemorate the May 18th 1980 uprising in style. They will stage a grand re-enactment of the scenes of the May uprising 25 years earlier, when martial law troops killed civilians, including women and children.
Jang Se-yoon
as
Choi Dae-sung
Lee Seol-gu
20 years after discharge from the army and now an excavator driver, a former paratrooper who had been mobilized to suppress the May 18th Democratic Uprising in Korea in 1980, happens to find a skull in the ground one day. Driving his excavator, he pays visits to his former superiors one by one and realizes they were all both assailants and victims of the times.
In the spring of 1999, a group of old friends gather to celebrate their 20 year reunion. Among the group is Yeong-ho, a cold, unhappy man, whose demeanor puts a damper on the festivities. The seriousness of Yeong-ho's depression becomes apparent when he climbs a railroad bridge and looks like he might jump. At this crucial moment, memories of seven crucial episodes from Yeong-ho's past flood his mind.
A young girl is caught up in the 1980 Gwangju massacre, where Korean soldiers killed hundreds, if not thousands, of protesters who opposed the country's takeover by the military the year before.
There are people whose lives have been shaken by the 'Gwangju Video'. On May of 1980, the course of their lives changed in front of a huge wave of truth in Gwangju. The people who made and spread the 'Gwangju Video' are also the people who had their bodies on the waves. The hidden stories of these people, the 40th anniversary of the Gwangju Uprising, and the pursuit to trace the missing 4 hours of mass shooting will be revealed for the first time.
This is the story of a father who died mysteriously in May of 1980, a mother who lives in the shadows with a bullet in her head and not being able to forget May 18th and their daughter, and the nation's greatest comedian, Hee-soo.
In May of 1980, the city is locked down and phone lines are dead because of protests and struggles in demand of democracy. Just when Gwangju was being ignored by the media, Jurgen Hinzpeter, a reporter from Germany, sneaks in despite the danger!
The citizens of Gwangju lead a relatively peaceful life, until one day the military takes over the city, accusing the residents of conspiracy and claiming that they are communist sympathisers preparing a revolution against the current government. Seeing as the soldiers beat defenceless people, mainly students, to death, the citizens are in for retaliation and form a militia.
1980, Kwang-ju is fired up about a genius pitcher, a senior in high school. Ho-chang takes confident strides across the field making his way by cutting through the sand dust. He’s a university scouter on a mission. His task is to scout the genius pitcher, SUN Dong-yeul, a master of baseball who may be scouted to a rival university. But he is no where to be seen. But Ho-chang is determined to not let down his reputation as a successful scouter, and his scouting mission of 10 days begin! An original story of a scouter on a 10 day mission full of undisclosed history will now unfold!
After the Gwangju Democratization Movement is terminated by brute force, Jong Soo runs from the authorities and goes to Dongducheon in search of Tae Ho, an older neighbor from his hometown. He is a student at Jeonnam University and a night school teacher who is on the run because of his involvement in the Gwangju Movement.
The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.
Cheol-gi who dreams of a society that embraces justice begins classes at a night school. There he learns about political and social contradictions and the realities the people face. While doing research on factory conditions with his classmates Tae-il, Min-sook and laborers Hyun-sil and Bong-joon, Cheol-gi learns about the Revitalizing Reforms system and the improper practices in emergency measures. After the military revolution, during the election for a general student body in a move towards democracy, Cheol-gi unwittingly becomes a man on the run when emergency martial law is implemented in response by the government. Cheol-gi blames himself when hears about the deaths of Tae-il and Min-sook during the Gwang-ju Uprising from Hyun-sil and Bong-joon. Just when he and Hyun-sil try to start a new life together, Cheol-gi is arrested and put in jail. Inside the prison, he starts another move towards prison democracy.
The movie is a compilation of the movie "Wilderness" in which a member of the airborne unit who killed a girl during the Gwangju Democratization Movement burned himself to death with remorse and "Mr. Kant's Presentation", the story of a man who wanders around as a result of torture after participating as a civilian army.
Chae-geun is a driver for hire with manic depression. He often talks to his son who is studying in the States and tells him he would keep his promise. He does a favor by acting as a temporary fiancé of a single woman named Jin-hee, who works as a waitress at a restaurant he frequents. Her father, who was a victim of the Gwangju Uprising in 1980, shows him a gun he stashed away 39 years ago and asks Chae-geun to help him exact revenge on those who were responsible for the May 18 incident.
26 years ago, state troops were ordered to open fire on civilians in the city of Gwangju who were demonstrating as apart of a democratic movement. Thousands of civilians were killed. Now, a shooter from the national team, a gang member, a policeman, CEO from a large company and director of a private security outfit get involved in a plan to convict the person responsible for the massacre.
Activist Hyun-woo is released from prison after a 17-year stint. Journeying back to the village where he spent some time as a fugitive he recalls the time spent with Yoon-hee, a woman who gave him shelter and companionship.
KIM-GUN searches for the whereabouts of a young man whose identity has sparked a national controversy over the 1980 May 18 Gwangju Uprising. Starting with the vague memories of those who had crossed paths with him during that time, the film tracks down those who participated in the Uprising as “Citizen Soldiers.” It also traces KIM’s final steps, based on photographic clues found in the firearms he carried and the “Surveillance Truck No. 10” in which he rode. By identifying KIM-GUN, we believe that we can find valuable leads to resolving the ongoing controversy over May 18. Why did a nameless young man join the Uprising? Why did he take up arms? Where has he gone afterwards? It is the answers to these questions that the film seeks.
This year is the 30th anniversary of the Gwangju Democratization Movement. Though the country commemorates the event as the official historical records, it does not include any 'real' accounts of the people who experienced it firsthand. The students who were part of the movement; the female vendors who made rice balls for the students; the female high school students cooked at the government building; now, past their middle age, they live as ordinary citizens in Gwangju city. How is the event remembered by these people?
May, 1980. Man-seob is a taxi driver in Seoul who lives from hand to mouth, raising his young daughter alone. One day, he hears that there is a foreigner who will pay big money for a drive down to Gwangju city. Not knowing that he’s a German journalist with a hidden agenda, Man-seob takes the job.
There is HWAPYONG Restaurant with full of hopes of the family of three generations. Grandfather, the first-generation owner, and the first son, the second-generation owner, who lives as a fugitive after being branded as a communist and his wife and Cheol-soo’s mom who has to work hard by juggling work and family without complaint. The second son, Cheol-soo’s uncle, who sometimes acts like a child with an excuse of being the second son but loves Cheol-soo more than anyone and seriously cares about the restaurant. To the third generation, young Cheol-soo, family is the most precious. By the time when ‘Seoul Spring’ longing for democratization came to nothing due to ‘Retreat from Seoul Station’ in 1980, there were a series of peaceful protests in Gwangju, Jeolla Province. In warm May, a large dark cloud is looming over HWAPYONG Restaurant, the home and everything of this ordinary family of Cheol-soo, in the middle of Gwangju.
