Meis is fifteen, lives in the back of beyond and aspires to a grand and stirring life, but all that happens is the passing of the time, waiting for the next car to run into the front of the house.
Gaite Jansen
as Meis
Tamar van den Dop
as mom
Bob Schwarze
as dad
Elise van 't Laar
as Sue
Mary and Joseph make the hard journey to Bethlehem for a blessed event in this retelling of the Nativity story. This meticulously researched and visually lush adaptation of the biblical tale follows the pair on their arduous path to their arrival in a small village, where they find shelter in a quiet manger and Jesus is born.
A drama centered on an 11-year-old Chechnyan refugee living in Vienna whose life is thrown into disarray when a friend of his deceased father materializes.
The Story of Woo Viet, seven years before they traded wistful looks in An Autumn's Tale. Chow, in one of his earliest and meatiest film roles, plays the title role of Woo Viet, a Vietnamese refugee who hopes to immigrate to the United States.
Claire and Robert spend most of their time in a house they own in the beautiful and remote countryside in Italy. Their life seems to be perfect. But when Claire's sister gets murdered in the very same house, the traumatic event shakes up their relationship. Disappointment, fear and resentment they swept under the rug for years, resurface. Revealing the dark side of a blissful love - a dream that turns into a nightmare. It is the story of two people trapped in a dark secret.
An original mix of fiction and reality illuminates the life of comic book hero everyman Harvey Pekar.
Noor wants to be a man. He doesn't belong anymore to the Khusras, Pakistan's transgender community. And he is definitely done with the love story he had with one of them, that had drastically changed his life. Now, he is doing a man's job in a Truck Decoration Center and he made up his mind: he will find a girl who will accept him as he is.
Based on a true story, Yoshiko and Yuriko relates the journey and great love affair of Yoshiko, who was a renowned translator of Russian literature and drama, and Yuriko, who was a feminist novelist and great activist of the post-war democratic literature movement. Both have left huge marks on Japanese literary history. The two women shared a strong attraction to each other from their first meeting and enjoyed a powerful love affair. Yoshiko reveals that she's an out lesbian, whilst Yuriko is married (not altogether happily) to a well-known scholar - a situation she can't walk away from with ease.
In the wake of the 1956 Prostitution Prevention Law, a young woman recently released from one of Japan's new rehabilitation centers struggles to build a new life.
A day in the life of Arnošt, a soldier staying in Josefov. A sense of desperation permeates the environment as well as the mind of the protagonist. It is sunday, and saturday left just a hangover. Days go by, nothing changes. A metaphor for the political situation in the Czech lands at a time where depicting a soldier as a drunk was considered out of place to say the least.
Looking for a safe place to live after being harassed by her husband, a depressive and violent man, Juli stays at a women's shelter run by Mária.
Two guys who are working for cartels as cleaners get a request to monitor an 11-year-old kidnapped girl, but the situation gets worse when their supervisor gets killed.
Follows the serendipitous meeting of two young girls on the Venice Boardwalk, who, though worlds apart in lifestyle, embark on unexpected and lifelong friendship. CC is an aspiring singer trying to make it in Los Angeles. Hillary is the daughter of a prominent civil rights lawyer who struggles to find her own destiny. Their friendship—even with its ups and downs—sustains them for decades.
Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.
Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.
Saiko travels to Thailand but she jumps out of the cab after knowing the driver's intentions. However, her life changes after she meets Greg.
Sylvia and Cora Miao play two widowed mothers, best friends and confidants who spend their days reminiscing about times past. Over the course of a lazy weekend afternoon, the two women conjure memories of Cora's husband, his life, his death, and his passionate affair with Sylvia. A series of wistful flashbacks reveal the sometimes touching, sometimes painful circumstances around the women's deep friendship with one another, and their love for the same man.
Roy is a Taoist priest but also a drag queen performer. He meets and falls for Sunny but when Sunny disappears without saying goodbye, Roy begins to suspect that something terrible has happened.
Required to retire from his job as a utility man at a Peking Opera theater, Old Han is at loose ends, wandering the backstreets of Beijing looking for something to correct.
Doctors say that Veronika, a woman in her 20s, is schizophrenic. She is compliant, which makes her an easy target for men. She's religious, believing she is God's favorite child; she searches for Jesus. She has sent a letter to a filmmaker suggesting her life as the subject for a movie. We see her raped then take up with a series of men she believes are Jesus, each willing or insistent on sex. A young man with his own crisis of faith invites her to join a cult. We see her involuntarily committed to an asylum from time to time where medication and constraints await. Her wealthy parents are helpless. Will a medical professional ever talk to her? If one did, would it help?
Emily, a child, stays with her bourgeois grandparents during frequent periods when her mother makes films. Isabelle wraps a picture, flies to her childhood home to pick up Emily, and plans to leave for her place in France. Old wounds between Isabelle and her parents open around Isabelle's life style. It's also apparent that Isabelle's mother, Paula, is unhappy - with her husband and with her youthful hopes dashed when she became pregnant with Isabelle. Unbeknownst to Isabelle, the co-star of the film she's just made has followed her, checked into a nearby hotel, and wants to begin an affair, even though he's married. Can Isabelle sort it out? What's best for Emily?
