Before the Flood is a study of the final weeks of a dying city, as thousand-year-old Fengjie on the Yangtze River is reduced to rubble and its inhabitants uprooted to make way for the new Three Gorges Dam that will flood the entire valley.
To commemorate the 70th anniversary of the victory of WWII, this documentary film describes the eight years of dauntless air-force fighting of the republic of China during the Anti-Japanese War, with only 300 combat-capable aircraft from China while Japan had over 2000.
A microcosm of China past and present flows through Xu Tong’s intimate docu “Shattered,” in which the maverick indie filmmaker continues to refine his techniques and concerns shown in his previous “Wheat Harvest” and “Fortune Teller.”
A wistful but witty account of a trip to Beijing by filmmaker Viv Li, a Chinese art student who has been living abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become by her life abroad.
Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.
In the sound of rice huller, the rice falls to the jar; and in the booming sound of thunder, the rain drops falldown on the ground. Witha shovel on shoulder, we're farming under the sky. -- This is a children's folk rhymes used to be very popular among the Hakka people lived in the westernpart of Fujian Province, China. While farming is not an easy work, rice hulling is an even more laborious work. Rice-huller is a tool used by the peasants in southern China to hull the rice for thousands of years in theirfarming history. This documentary films the making of probably the last rice-huller ever made by mankind.
In the summer of 2007, Gan Xiaoer led an independent film projection team, using projectors and self-made screens, to tour villages in Henan province to show his feature film "Raised from dust" for 8 times, and recorded the process. The 81-minute version of Church Cinema records only one stop, the Qiliying Church, where "Raised from dust" was shot.
Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.
Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.
"Huangyangchuan, Gansu province, China. It's an arid mountain area with poor roads. Ma Bingcheng is well-respected local doctor, so many patients (most of them farmers) come to see him every day. In his small clinic, people chat with each other about their lives, local conditions, or the people they know. The clinic seems to open up like a microcosm, the information and experiences of different people intertwine, revealing the conditions of typical Chinese farmers, and the typical fates of both young and old--"
The baby is a temporary floating population. He works diligently, from a small restaurant owner to a tea shop manager to a bar manager. This film records the survival state of children centered and gay comrades: trivial, messy, boring, and entertaining themselves. The camera calmly captures every bit of their daily life for more than two years, and as time goes by, the changes the baby presents are more ordinary. The film calmly explains the relationship between "comrades" and "society", and the various small details interpenetrated in the film also metaphorically reflect the changes of today's society
A documentary chronicling the coming of age of a young chinese man.
For Chinese parents, finding out that their kid is gay usually presents a major tragedy, with the big majority utterly unable to accept the homosexuality of their son or daughter. However, during recent years a fresh rainbow wind has been blowing over the Chinese mainland: a pioneer generation of Chinese parents has been stepping up and speaking out on their love for their gay kids. This documentary features 6 mothers from all over China, who talk openly and freely about their experiences with their homosexual children. With their love, they are giving a whole new definition to Chinese-style family bonds.
In 1946, Heidi is entrusted to a Swiss family by her father. He will never come back for her. Today, François Yang questions his mother about her past. What follows is a journey to China, a quest to reconstruct memory. Through contact with her brothers and sister, Heidi measures the extent of the drama experienced by her family that remained in China, persecuted by the Communist Party.
A soon-to-be first-time voter, the filmmaker’s thought-provoking journey into the Rust Belt and South captures four Asian American voters’ ardent first time grassroots political participation ignited by the 2016 rise of “Chinese Americans for Trump.” FIRST VOTE is a character driven cinema verité style film chronicling the democratic participation of four Asian American voters from 2016 through the 2018 midterm elections.
17 riders with avarage age 81 decide to follow the dream of their youth and start their journey to ride around Taiwan island.
Yu Guangyi's stunning debut explores a grueling winter amongst loggers in Northeast China as they employ traditional practices through one last, fateful expedition. For generations, the lumberjacks of Heilongjiang, China have made their living harvesting timber amidst a barren, wintry landscape. These woodcutters confront the elements, living in makeshift cabins surrounded by snow and ice. Hand tools, sleds and horses are the only technology they employ to drag massive trees down the perilous slopes of Black Bear Valley. At constant risk of injury and death, they attempt to appease the mountain gods with ancient rituals and sacrifices. Despite their heroic efforts to subsist, the deforestation caused by their decades-long customs may lead to their ultimate demise.
In his third film on life and work in the (once) heavily wooded north of China, Yu Guangyi (Survival Song) follows the lonely San Liangzi (46), who for the past ten years has been in love with a woman who doesn’t like men much. Intimate and revealing, but never rude. A moving and human portrait of a group of unemployed and above all lonely men who stayed behind when their wives moved to the city looking for work. They worked in the timber industry in the province of Heilongjiang, but deforestation has taken its toll. For instance, we see 46-year-old San Liangzi. Twelve years ago, he divorced his wife and became unemployed. For 10 years, he has had an eye on Wang Meizi, the only unmarried woman in the area. But the love is not mutual.
In a cold mountain village in northeastern China,when a peasant gets sick they invite the local shaman to do trance healing. In the village there is Shaman XU, a renowned shaman in the area who is almost 70-year-old. He had been a teacher in his youth and an accountant for a factory production team. In his later age, serving as a spirit medium became his profession. He beats his donkey-hide drum and sings ancient melodies, inviting all kind of spirits to come.
The film is director Gao Zipeng’s first fiction film which takes three years to complete. It premieres on March 27, 2001 in UCCA and stars the poet A Jian, Xiao Zhao and the writer Gou Zi. The film is based on a true crime of disappearance. It creates an atmosphere of what Ma Zhiyuan, a celebrated poet and playwright of Yuan Dynasty, portrays in his famous poem “Autumn Thoughts”: Over old trees wreathed with rotten vines fly evening crows/ Under a small bridge near a cottage a stream flows/ On ancient road in the west wind a lean horse goes/ Westward declines the sun/ Far, far from home is the heartbroken one.
The film explores the hidden face of poverty in one of the world's most affluent and capitalistic cities. Directed by CHEUNG King Wai (KJ: Music and Life), the film follows five Hong Kong families of different backgrounds that receive government subsidies. How do the poor get by in a glossy city that flaunts conspicuous consumption and hides poverty in cavernous public housing estates? All's Right With The World shares the different stories of these low-income families, their daily living conditions, and their ways of celebrating Chinese New Year.
