Creative and competitive, members of the Evil Geniuses Starcraft 2 team must prove themselves to make the cut in professional video gaming. Good Game follows the team as they discover that one wrong move could end their dreams.
Follow punk-cabaret icon Amanda Palmer as she hits the stage at Red Rocks Amphitheater. Since her record-breaking $1.2 million crowd-funded Kickstarter campaign, Palmer (formerly of the Dresden Dolls) has carved out a path of fearlessness and independence outside the norms of the music industry.
The Theory of Everything navigates between people and landscapes, between words and territory. The evocative landscapes tell us much in their silent presence. People, invited to tell us about themselves and their connection to the world, talk to us about the soil, the subsoil, the forest, the river, the whole that determines them.
DRIVER is a soulful exploration of resolute female long-haul truck drivers pursuing validation for their hard-earned work as they navigate the oppressive forces in their industry. Employing an intimate lens, Nesa Azimi’s first feature brings the audience into a community of solidarity and self-determination.
A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.
The story of U.S. fighter pilots shot down over North Vietnam who became POWs for up to 8 and a half years.
Gives insight into the creators mindset and how they culled from real life events to create some of the biggest sci-fi films of all time.
An eye-opening investigation into the making of Hollywood sex scenes, shedding light on the real-life experiences behind classic scenes of cinema and tracing the legacy of exploitation of women in the entertainment industry.
It's a music documentary that tells the story of Roy Gurvitz, who created Lost Vagueness, at Glastonbury and who, as legendary founder, Michael Eavis says, reinvigorated the festival. With the decadence of 1920's Berlin, but all in a muddy field. A film of the dark, self-destructive side of creativity and the personal trauma behind it.
One fateful night, after leaving a bar in his home town of Nova Scotia, musician Scott Jones was subjected to a vicious and targeted attack which left him paralysed and in a wheelchair. Despite Scott knowing that this was a homophobic hate crime, the assault was not treated as such in the courts, or by the media. As Scott rebuilds his life, he is forced to make sense of the way the incident was handled while also struggling to make peace with his attacker. Taking place across the three years following this life-changing ordeal, close friend and filmmaker Laura Marie Wayne gracefully charts the impact of the attack on Scott’s life, both physically and mentally. The resulting documentary is a tender, heartbreaking and inspiring testament to one man’s strength and resilience.
Director Jan Oxenberg's docu-fantasy narrative about aging and death, and how it affects her family.
Short film showing (with limited accuracy) the life-cycle of myxomycetes.
Short documentary showing infusoria in a wine-glass.
Helga Reidemeister portrays four women from Afghanistan-Jamila Mujahed, India-Arundhati Roy, Serbia-Stasa Zajovic and the USA-Sissy Farenthold, who demonstrate their opposition to nationalism and war.
Six extra-ordinary people from around the world reveal their bodies and share their secrets in a unique experiment in search of their inner selves.
Imagine a world in which people seem hostile while inanimate objects appear friendly – even affectionate. Imagine dreading the touch of another human but longing for a passionate encounter with a large public structure. This is the strange world of the "objectum sexual"– a group of people, mainly women, whose intimate lives revolve around objects with which they say they share romantic and sexual love. Erika is married to the Eiffel Tower. She has a passion for inanimate objects, and her mission is to fight the stigma surrounding the disorder and create a global network of sufferers - like Amy, in love with a church organ, and Eija Riita, who married the Berlin Wall.
Ugly, Me? is a film manifesto made from a workshop for actors called Characters in Search of a Movie, in 'La pa', 'Rio De Janeiro', extended to Paris and 'Kerala' (India). Multifaceted like a kaleidoscope, the characters appear in multi-screens scenes and sequences. The images were captured with different kinds of cameras and Ugly, Me? uses this sign of the variety imposed by independent production as language experimentation. Transposing the boundaries of style, Ugly, Me? navigates in a sea of metaphors, philosophical and musical politics, from Prince Harry to Heraclitus, going through a series of authors like Rimbaud, Brecht, Nietzsche, Bispo do Rosario and Eduardo Viveiros DE Castro, capturing a contradictory and original country.
Journalist Assia Boundaoui sets out to investigate long-brewing rumors that her quiet, predominantly Arab-American neighborhood was being monitored by the FBI.
Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)
Follows unaccompanied child migrants, on their journey through Mexico, as they try to reach the United States.
A minute-by-minute account of the Boxing Day 2004 Tsunami told through amateur video footage of people who were there.