Secrets and mysteries lose power when they are spread too widely. This is what the villagers discover when they invade an old man's vision-inspired shrine to the namelessly holy.
Darvish Khan Esfandiarpoor
as Himself
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
In the vast expanse of desert East of Atlas Mountains in Morocco, seasonal rain and snow once supported livestock, but now the drought seems to never end. Hardly a blade of grass can be seen, and families travel miles on foot to get water from a muddy hole in the ground. Yet the children willingly ride donkeys and bicycles or walk for miles across rocks to a "school of hope" built of clay. Following both the students and the teachers in the Oulad Boukais Tribe's community school for over three years, SCHOOL OF HOPE shows students Mohamed, Miloud, Fatima, and their classmates, responding with childish glee to the school's altruistic young teacher, Mohamed. Each child faces individual obstacles - supporting their aging parents; avoiding restrictions from relatives based on traditional gender roles - while their young teacher makes do in a house with no electricity or water.
A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.
Directed by Patrick Gramm, 'The Pigeon People' (2023) takes you deep into Arizona's underground pigeon racing scene as racing rivals prepare for and compete in the Grand Canyon Classic - a 350-mile pigeon race from Utah to Arizona that crosses over the Grand Canyon.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Palm Springs, a small desert oasis 100 miles East of Los Angeles was Sinatra's true home for 50 years. During his brief yet turbulent marriage to Ava Gardner his Palm Springs home was center stage. For the rest of his life, the Rancho Mirage compound on Frank Sinatra Drive, was the home he called "My Heaven". Palm Springs still feels the ghost of Frank Sinatra.
Tom Jones, a shepherd who lived in one of the Ystradfechan Cottages at Old Farm, Treorchy, was employed by the Ocean Coal Company who owned the land above ground and coal (the Park and the Dare Collieries) beneath. A farrier who lived in the adjoining cottage tended to all the Park and Dare pit ponies. Tom Jones was known world-wide as the “Wonder Shepherd” for his remarkable skills as an animal trainer which, together with his concern for his flock, are recorded here.
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.
Twenty-Five miles from town, a million miles from mainstream society, a loose-knit community of eco-pioneers, teenage runaways, war veterans and drop-outs, live on the fringe and off the grid, struggling to survive with little food, less water and no electricity, as they cling to their unique vision of the American dream.
Explore the 1928 collapse of the St. Francis Dam, the second deadliest disaster in California history. A colossal engineering and human failure, the dam was built by William Mulholland, a self-taught engineer who ensured the growth of Los Angeles by bringing the city water via aqueduct. The catastrophe killed more than 400 people and destroyed millions of dollars of property.
A documentary film about the work of stuntmen and camera operators in Soviet cinema, using the film "White Sun of the Desert" as an example.
Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.
Out of State is the unlikely story of native Hawaiians men discovering their native culture as prisoners in the desert of Arizona, 3,000 miles, and across the ocean, from their island home.
In the Sardinian town of Tonara, where the ancient art of crafting cowbells teeters on the edge of extinction, a family battles to preserve their heritage, passing down skills to a new generation while grappling with personal struggles and the pull of modernity. English subtitles.
Narrated by Oscar-nominated actress Emily Watson, MEERKATS 3D takes audiences on a journey with a family of meerkats as they cope with the twists and turns of life in the Kalahari Desert. The film begins as matriarch Klinky’s most recent litter emerges from the burrow for the first time. Klinky and her family, including elder children and regular babysitters Ms. Bean and Harry, must endure turf wars from rival families, attacks from vicious predators big and small and internal family turmoil. The survival of this clan hinges on the meerkat golden rule: Stick together, and keep calling.
Wolves divide and fascinate us. 150 years after they were driven to extinction in Central Europe, they are returning slowly but inexorably. Are they dangerous to humans? Is it possible to coexist? Using Switzerland as a point of departure, where wolves have returned in the very recent past, this documentary sheds light on the wolf situation in Austria, eastern Germany, Poland, Bulgaria, and even Minnesota, where freely roaming packs of wolves are more common sight.
In a world where farming is mechanized and farm animals are fed with products coming from across the globe, a young shepherd is trying to keep his practice sustainable by using ancestral ways to raise his flock.
An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.