A doctor mysteriously discovers that he is required urgently at the village to offer his services. He arrives there after a long and difficult journey, only to discover that the village is empty.
David decides to assume the burden of his family after the stroke that suffered his father. Because of the situation and despite his youth, he is responsible for giving strength to his mother and sister. However, once he leaves the hospital and goes away from his family, David will look for the placebo he needs to let off steam.
About a bat that could not decide whether it was a bird or an animal, and remained alone. Based on a Mongolian tale.
In a covert listing station an operative picks up a telephone conversation between someone he suspects is an agent and someone called mother. He follows their communication and intercepts another message about cakes and candles. However has he stumbled upon a plot of major importance or just something innocent?
In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.
After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.
Based on late field biologist John Sincock's experiences in Kauai.
At the end of Summer after finishing sixth form, two friends meet up for the first time in a year to talk about what happens next.
Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.
On Motunui, Maui tries to catch a fish with his magical fishhook, only to be comically foiled by the ocean.
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
A man explains how he was obsessed when he was younger by a mysterious room and an extraordinary rarefied piano music that drifted through its open window during the night. Forty years later, returning to his home town after having spent most of his life abroad, in "a bunch of different places", he asks one of his friends to rent a room for him. As chance would have it, it turns out to be the same room which attracted him when he was a young man. What drew him again to this room?
Horacio, a lonely young man, cornered between his routine and disturbing dreams, stops and isolates, revealing a vital message.
Mary Howell the Fourth is a chain-smoking promiscuous carpenter, famous in her small town for having recently and tragically dead parents. She's trying to hold it together for her two younger sisters, but grief is playing weird tricks on Mary. Those tricks are the three ghosts that share her name: her grandmother, great- grandmother, and great-great grandmother.
For over 30 years, Cora has woken up every morning at 4am to go work at the factory and raise her daughter, Alex, gone to Paris, much to Cora’s regret, to try and become a filmmaker. As Cora is about to retire, she would very much like Alex to finally abandon this risky choice, but Alex is preparing her first film.
Edu is dancing in a bar when Alex comes looking for him. He has some news that will have a profound effect on Edu.
Mike and Sulley are back at Monsters University for a fun-filled weekend with their Oozma Kappa fraternity brothers. The gang is throwing their first party, but no one’s showing up. Luckily for them, Mike and Sulley have come up with a plan to make sure “Party Central” is the most epic party the school has ever seen.
A short film about love, told backwards.