Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.
Louis Garrel
as Luc
Riccardo Scamarcio
as Giano
Alba Rohrwacher
as
A library assistant plods through an ordinary life in LA until a chance meeting opens his eyes to the power of creativity and ultimately, love. When this new life and love begin to fall apart, he discovers he has a lot to give. This short film proves that ordinary is no place to be.
The O'Dell farm is on the rocks. A non-traditional accountant comes with a variety of ways to save the farm.
Bunny, an elderly rabbit who uses a walker, is in her kitchen one night baking a cake. A photograph from her wedding day is on her wall. A pesky and persistent moth bangs about the kitchen. She shoos it outside, turns off the porch light, and returns to her baking. The moth finds its way back into the kitchen, she bats it with a wooden spoon, and it falls into the mix. She stirs it up, pours the batter into a pan, and pops it into the oven. But the moth isn't done: it has a different mission, turning the oven into a portal, and inviting Bunny on a voyage of reunion.
The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. The film is based on the short story "The Killers" by Ernest Hemingway, written in 1927. It was Tarkovsky's first film, produced when he was a student at the State Institute of Cinematography.
A young man walks into a meticulously clean and sterile bathroom and proceeds to shave away hair, then skin, in an increasingly bloody and graphic bathroom scene.
A young boy gets caught stealing a sheep and is shaved of all his hair and branded with a mark on his forehead so that everyone will know that he is a thief and not to be trusted. Dumped in the desert, the thief covers his marking with a headscarf and goes to the nearest village where he is taken in by a trusting family in return for his work. However, has be actually changed or is he still the same thief at heart?
A young woman becomes the eighth wife of the wealthy Bluebeard, whose first seven wives have died under mysterious circumstances.
The film features two men who emerge from the sea carrying a large wardrobe, which they proceed to carry into a town.
A boy leaves a party and gets on a passenger tram. Aboard, he shyly watches a girl, who soon falls asleep.
Sometimes first love is found in the most unlikely of places, like in the carpark outside the Te Kaha pub.
A young woman finds herself alone in the house of her late mother where an unsettling and sinister presence emerges. Short, remade full length in 2012.
Harold Krebs went off to fight in World War I, "the war to end all wars." But when he comes home, Harold finds that he doesn't fit in any more. He needs peace and quiet to figure out what has happened to him and who he has become, but his mother pressures him to rejoin society.
A man recognizes the thief who had previously robbed him as one of the men involved in an unrelated mob shootout.
Johnny Lingo, one of the sharpest traders in the south pacific islands decides to bargain for a wife, and offers a record price of eight cows for Mahana, a plain girl who shuns contact. This causes quite a sensation on the island. A year later Johnny and his wife return for the first time since the marriage, and all find that something miraculous has occurred to Mahana. Johnny explains that by paying eight cows he proved that she was worth more to him than any other woman on the island. He gave her a great gift, that of self-worth.
An exhortation to drivers to pay attention to road safety. In just 15 minutes, John Krish manages to give this road safety film something new and different by presenting events not from the point of view of the driver, but of his brain, memory and ego, who operate from a rather camp technology-driven command centre.
Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.
