Though Henry Kissinger is often giving short statements to the media, he refuses detailed interviews about his own life. Now he has agreed to answer questions about his person in an extensive documentary.
Henry Kissinger
as Self
George W. Bush
Norman Mailer
James R. Schlesinger
The popular rise of darts is charted in this pin-sharp documentary that follows the trajectory of arrows from local pub to beer-soaked arena. Featuring archive footage, behind-the-scenes access and interviews with current darting personalities such as Michael van Gerwen, Gary Anderson and Raymond van Barneveld, the film traces the sport's evolution from humble beginnings through to the glamorous heyday of the 1980s and on into the lucrative professional era.
An exploration of the origins of memes, how they spread, and the stories behind some of the most popular “human memes” like Ermahgerd Girl, Overly Attached Girlfriend, and Chocolate Rain Guy.
Feature length documentary examining the troubled life and tragic death of college football standout and talented NFL running back Lawrence Phillips, whose scars of childhood abuse and abandonment haunted him throughout his career.
Composed entirely of still photographs taken by Chris Marker across 26 countries, If I Had Four Dromedaries presents a dialogue between three voices reflecting on the meaning of images and travel. Through this photo-essay form, Marker explores the relationship between still and moving images and the act of seeing itself.
Time Is Illmatic is a feature length documentary film that delves deep into the making of Nas' 1994 debut album, Illmatic, and the social conditions that influenced its creation.
A documentary that explores the challenges that a life in music can bring.
When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s "all in her head." Determined to live, she sets out on a virtual journey to document her story—and four other families' stories—fighting a disease medicine forgot.
Filmmaker S.R. Bindler profiles Texas contestants trying to win a truck by keeping one hand on it longer than everyone else.
Edith and Eddie, ages 96 and 95, are America's oldest interracial newlyweds. Their unusual and idyllic love story is threatened by a family feud that triggers a devastating abuse of the legal guardianship system.
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
A documentary about the Synthwave scene, nostalgia and the universe of creating sounds. A love letter to human fascination and the collective memories of a universe, that never existed.
Denise Crosby takes a first look at the huge fans of "Star Trek" from around America and how the series has affected and shaped their lives.
King Corn is a fun and crusading journey into the digestive tract of our fast food nation where one ultra-industrial, pesticide-laden, heavily-subsidized commodity dominates the food pyramid from top to bottom – corn. Fueled by curiosity and a dash of naiveté, two college buddies return to their ancestral home of Greene, Iowa to figure out how a modest kernel conquered America. With the help of some real farmers, oodles of fertilizer and government aide, and some genetically modified seeds, the friends manage to grow one acre of corn. Along the way, they unlock the hilarious absurdities and scary but hidden truths about America’s modern food system in this engrossing and eye-opening documentary.
A documentary following the adventures of three high school robotics teams battling for first place at a national robotics competition in Miami, Florida. Lone wolf Will builds robots so powerful they're unstoppable...if only they don't destroy themselves first. The Mechanical Misfits are an all-girls team stumbling through their first foray into combat robotics, and Elizabeth and Danielle are a formidable pair looking to reign supreme during their senior year.
Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.
