Amílcar Cabral

The Other Side of the Atlantic

The Other Side of the Atlantic is a documentary that builts a bridge in the ocean that separates Brazil and Africa. The film tackles the cultural exchanges, the imaginary created through the mirroring, the prejudice and dreams built in both sides of the atlantic through the life stories of the students of african countries in transit through Brazil.

Morabeza

This 16mm short film undertakes a journey from slavery to ‘Morabeza’, a multi-faceted word that describes Cape Verde’s gentle spirit. Allow yourself be guided to discover the diversity and beauty of this South African country.

Cap-Vert, l'archipel créole

"Some Kind of Funny Porto Rican?": A Cape Verdean American Story

The untold tragedy and scandal of what happened to a vibrant community of immigrants from the Cape Verde Islands in the Fox Point section of Providence, Rhode Island who were forcibly displaced by urban renewal to make way for fancy coffee shops, antique stores and elegantly restored houses. Poignant, heartfelt and warm, in a timeless snapshot SKFPR captures the essence, spirit and heart of a community whose history was erased before it was written.

With Almost Nothing

In Cape Verde, where the majority of the population is young, children use olive oil cans, bits of sandals, leftover tires and pieces of cardboard to build their own toys. The absence of a consumer society and the challenges posed by insularity have led them to invent their own recreational independence with almost nothing.

The Island of Contenda

Cape Verde, 1964. At the feet of a mighty volcano, the traditional Cape Verdean society is undergoing a steady change. The old land-owning aristocracy is disintegrating. A class of "mulattos" begins to emerge, with a trade-based financial power that threatens the landlords. A new identity arises, a mix of old and new, of African and Portuguese culture, sensual and dynamic. The songs of Cesária Évora follow this inevitable transformation. From the novel by Henrique Teixeira de Sousa.

Casa de Lava

The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.

Cape Verde My Love

Praia, Cape Verde. Laura, Flavia and Bela are childhood friends. Each leads her own life and they sometimes meet to dance, dine and have fun. But one day the calm rivers of their lives break their banks and become wild torrents: Ricardo, Flavia's husband, rapes his pupil Indira, Laura's 13-year old eldest daughter. A film that takes a critical look at the lives of women in Cape Verde.

The Victims of the East Wind

Film adaptation of a novel published in 1960 by Cape Verdean author Manuel Lopes.

Cape Verdean Cranberry: The Fernandes Story

Follow the story of one family's contribution to the history that ties Cape Verdean immigrants to the cranberry industry in southern Massachusetts.

Celtic Legends: Irish Legends

This revealing program shows that the search for the Celtic Gods of Britain is an extremely difficult task. Their origins are shrouded in mystery, but they are kept alive in a series of enduring stories. This program presents many of these stories, which have been passed down from generation to generation.

2Doc: What Are We Doing?

In 2022, 92% of those affected encountered aggression or violence. Frans Bromet portrays six influences who encounter violence while carrying out their work. The violence with which the actual consequences are, leaves personal physical, especially mental, traces.

Seven Women: Miu Kam-Fung

Miu Kam-fung, who plays the film’s titular character, addresses her identity as housewife and actress in Patrick Tam’s commentary on the dangers of rampant consumerism, seen as a defining moment for contemporary Hong Kong. In its studied references to Godard, Tam’s work buzzes with modern life—supermarkets, billboards, television—and juxtaposes these references with questions about marital infidelity, middle-class morality, and even political sentiment.

Seven Women: Liza Wang

In the last episode of Patrick Tam’s anthology series “Seven Women” (1976), Lisa (Lisa Wang) suffers from "environmental depression" and those around her treat her like a lunatic. Joyce deploys a creative mix of dialogue and monologue to illustrate Lisa's complicated personality. She might act like any normal obedient daughter around her parents, yet other times she reveals her overly sensitive and suspicious mind as her moods run the gamut from poetic to violent. The villa where Lisa is sent to heal becomes a tumultuous battleground when a young doctor who has his own psychological hang-ups begins treating her and a conflict of egos is ignited.

Whore Revolution

Whore Revolution is led by members of the organizations OMESPRO La Paz and OMESPRO Santa Cruz; These become builders of a story that makes use of a symbolic lever to transfer the central discussions of the whore universe to a political and poetic space. The film is structured in four parts with their own entity, which together make up a piece that has the vocation and versatility to invade all types of spaces—except virtual ones. María Galindo turns the camera and questions the viewer: "Without money and without work... I want to see you in my place."

Seven Women: Liu Wing-Sheung

The first episode of Patrick Tam’s anthology series “Seven Women” (1976)

Seven Women: Ivy Ho, Yeung Si-Dai, Lee Yan-Yi

The third episode of Patrick Tam’s anthology series “Seven Women” (1976), with three short stories combined.