Le jour du froment

Pour avoir Adrienne

Not Now, Darling

In a French fur salon, a businessman disastrously attempts to seduce a stripper with a mink coat, leading to a chaotic mix-up involving mistaken identities, a jealous husband, and a frantic, half-dressed chase.

The Tales of Hoffman - National Opera Company (INBAL)

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

Papy fait de la résistance

A staging of Martin Lamotte and Christian Clavier’s play “Papy fait de la résistance” by Serge Postigo.

The Tales of Hoffmann - Teatro Regio di Parma, 1988

"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi

Michèle Bernier - Le Démon de midi

Chuck & Buck

Chuck and Buck are childhood best friends whose lives have taken very different paths. While Chuck moved away and now has a real life, Buck stayed behind and developed a dangerous fixation—on Chuck's life.

O Palco dos Rebeldes

Thierry Le Luron à Marigny 1983

The Famous Last Show

Bruce, a young theatre director, is desperately trying to rehearse the perfect birthday only to realize that the unexpected cannot be avoided in his play nor in his life.

Michel Leeb & The Count Basie Orchestra - Humour et Swing

Gad Elmaleh - Papa est en haut

Dans ce spectacle, mis en scène par sa soeur Judith Elmaleh, il parle de son enfance, de son fils et de son père ; 750 000 places seront vendus.

Guy Bedos - Rideau!

Le visiteur

Le Tombeur

Le manteau de Janis

Ghostlight

When a construction worker unexpectedly joins a local theater's production of Romeo and Juliet alongside his estranged teenage daughter, the drama onstage starts to mirror his own life.

Maligne

Derrière un micro - Paris-Bruxelles

Lincoln The Musical

When NYC’s Broadway theater season opens, Katie Sarasola is looking for her big break and producer Kenny Schumacher needs to have a surefire hit. Secretly hoping to cash in on the success of Hamilton, Kenny decides to mount an all Hip Hop version of Abraham Lincoln’s life. An egotistical Hollywood director, clueless trap rapper, washed up choreographer, and an unknown lead actress are hired to bring Kenny's vision to life. "Lincoln The Musical" is a parody of the entertainment industry as seen through the lens of a Broadway show. Peek behind the curtain as Katie deals with egos and her own raw emotions as she prepares for the biggest night of her life. After Opening night, will Lincoln be known as the biggest show of all time or Broadway’s biggest bomb?