A documentary on the South Korean ferry disaster that claimed the lives of more than 300 passengers in April, 2014.
Lee Sang-ho
as Self
Lee Jong-in
Sohn Suk-hee
as Self (archive footage)
Park Geun-hye
Italy’s biggest political party, the Five Star Movement, promotes direct democracy through internet voting. Five Star Movement uses a digital platform named Rousseau, that allows Movement’s members to vote online and express their opinion on various issues. But who governs this data?
Having been established in their magnificent abbey at Oka, Québec, for over 125 years, the Trappist monks now prepare to leave.
Boro Miranovic - self proclaimed king of Montenegro...
Home to the Mitterrand family since 1965, Latche was the former president's base for three decades. Family, friends, and world leaders gathered there for walks, hours of conversation, and some of the defining moments of the century. There, he was a different François Mitterrand, absorbed by the "spirit of the place," far from the trappings of the Republic. An intimate space, Latche was also a political territory open to the world, a powerful diplomatic asset serving the ambitions of its owner.
In June 1999, Jean-Claude Gaudin organized a great popular festival, "La Massalia", to celebrate all the communities that make up Marseilles and to show the desire of thousands of people from elsewhere to be Marseillais. A radiant rainbow. Less than a year later, in March 2000, the municipal campaign began: what about this new state of mind that seemed to be blowing over Marseilles' political life? Does it find a translation in the political sphere? How many children of recent immigration would be in an eligible position and would eventually be elected among the 101 municipal councilors?
This documentary follows the 2002 mayoral campaign in Newark, New Jersey, in which a City Councilman, Cory Booker, attempted to unseat longtime mayor Sharpe James.
This raucous journey into the heart of democracy captures an unusual rite of passage: 1,100 teenage boys from across Texas coming together to build a representative government from the ground up.
Charting the recent advancements in weaponized communication by investigating the rise and fall of the world’s most notorious public relations and reputation management firm: the British multinational Bell Pottinger.
The film showcases the voices of past and present Hougang residents, alongside commentary by historians, public intellectuals, politicians, and volunteers. Charting Hougang’s history from the mid-eighteenth century, the film features personal recollections of growing up in Hougang, residents’ sentiments towards state-led redevelopment and relocation, and the political journey of the community in the context of the Workers’ Party having won the Hougang Parliamentary seat a little over 30 years ago.
Stuck in a creative rut, filmmaker Gilda Pourjabar returns to Iran, her homeland, to talk with her brother Siamak, an illustrator based in Tehran. This encounter raises questions about their relationship to Western popular art, as they grew up in a culture that the current political regime describes as “westoxicated.” This documentary uses playful animations by Siamak, inspired by Franco-Belgian comics and rock concert posters, superimposed on archival footage of the most recent popular uprisings in Iran to become a logical collaboration for these artists who shared a record collection as children. Together, they examine how art slips through the cracks of repression to light the rebellious sparks in the hearts of young people.
In just sixty years, South Korea went from being one of the poorest countries on the Asian continent to having the 12th largest economy in the entire world. Every year, it is measured that Korean students have some of the highest test scores and a higher rate of acceptance into Ivy League schools compared to all other nations. But on the flip side, South Korea also has one of the highest suicide rates in the developed world, the highest gender pay gap of all developed countries, and the highest plastic surgery rate per capita. Always expected to receive top scores and constantly bombarded by media and messages that seem to demand nothing short of visual “perfection,” how do these individuals come to accept and learn to love themselves as they are?