Opening with dreamlike images of the city of Siena at night, this short sand animation evolves into a symphony of waving banners, distant voices and galloping horses. Created especially for Italy’s Siena International Short Film Festival.
A dream-like version of the Sabbath in the Middle Ages: one night at full moon, the women leave home to meet with the devil in the woods. Several orgiastic ceremonies later, they all return home at cockcrow. All except for one, the youngest, who is under an evil spell.
Web Corp. follows the inescapable cycle of a worker fly trapped in a systemic web spun by a boss spider. Crafted through traditional stop-motion, the film clashes the organic, vulnerable texture of papier-mâché against the harsh, cold authority of steel wires, transforming capitalist exploitation into both a thematic and physical allegory.
About the loss of a mother, with her unexpected exuberance, but who also cries Puccini melodies. A short poetic collage, as fleeting as the blink of an eye, where sounds and images are superimposed to evoke the at once peaceful and tormented memory of a mother.
Stuffed is a short stop motion animated film that follows Blu, a teddy bear, in their curious journey inside an abandoned fairground.
A young Chinese woman grapples with the guilt of using the identity of a deceased girl to immigrate to the United States via Angel Island in 1926.
The first puppet film shot in CinemaScope. It is based on the famous poetic comedy by William Shakespeare. Three worlds meet in this story: the noble world of three Athens couples, a common popular world of tradesmen amateur theatre and a fairy-tale happiness of magic creatures as elves and nymphs. The film is considered the most remarkable Jiří Trnka's work and a milestone in the history of the world animation.
4 minute sandanimation about love, life & death.
Experimental cartoon which unites various techniques: puppets, sand & water (ebru) animations. About friendship, love and necessity to pay attention not only to the visual appeal.
Sir John Lubbock’s true story and his scientific writings on Ants, Bees & Wasps stood out as contemporary for the co-directors, Osbert Parker & Laurue Hill who worked in collaboration. Themes of cultural displacement, civilisations and environmental concerns were found in their interpretation of Lubbock’s story still relevant today. A diverse range of techniques from, stop-motion, 2D cut-out’s and digital animation is combined to tell a bizarre and beautiful love story with a sting in its tale.
A delicatessen wizard creates a delicious-looking sandwich from some unusual ingredients.
A change in her husband’s scent sends Anne spiraling into a late-night existential crisis.
The scissors cut out a little man with huge boxing gloves from black paper. The boy comes to life and is immediately convinced of his punching power. So he grabs the scissors himself and cuts out a huge opponent to demonstrate his strength. He makes a complete fool of himself in the process. It doesn't help that he cuts his opponent smaller and smaller and finally even sticks him down with glue. Although he adorns himself with the laurels of victory at the end, it is clear that he is just a ridiculous paper hero.
A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.
This special has the band hiring a slick-talking new manager in an attempt to make a comeback. Under his guidance, the Raisins try their hand at various new musical genres, including Disco Polka, Country Rap, and Demolition Rock, to humorous effect. The group's troubles begin to manifest, however, upon the replacement of singer A.C. with their manager's young protégé
A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.
Three surreal depictions of failures of communication that occur on all levels of human society.