From both a scientific and an artistic point of view, the film seeks to answer the question, 'what is light?'.
Jørgen Andersen
as
Adam Schmedes
Akanda
Peter Severin
Janaananda
Preben Frank Stelvig
H. Andersen
An alchemically treated lullaby to the end of cinema, featuring Charlie Chaplin and Buster Keaton.
A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.
A film by Philip Hoffman that chronicles the final days of his father.
A thrillingly lo-fi salute to the old-school, hand-crafted special effects that were once a mainstay of pre-CGI science-fiction films.
"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito
A young woman and man are riding bikes through nature, having a good time. When she speeds up, he loses her, and after a while he stumbles across her bike without any trace of her. He stumbles through the forest looking for her, imagining how she kisses him. No dialogue, just "audio credits" instead of titles, saying the name of the film, actors and director.
Experimental short film from Yugoslavia.
An experimental and poetic portrait of a woman.
Magical Super-8 (shown on 16mm) single frame portrait of the Notre Dame cathedral featuring luminous light and a dense score incorporating players from the square. - Early Monthly Segments
At 7 p.m. he had an appointment...an important appointment.
In his first film, Peter Nestler gives voice to an old floodgate. A nearby village, its inhabitants, wooden posts and twisted willow rods are presented from this unusual perspective. The floodgate ponders the fisher boats coming home from the sea along the shipping channel which is fed at low tide by a small river.
"In Re-entry he successfully synthesizes the Yogic and the cosmological elements in his art for the first time by forcefully abstracting and playing down both of them..." P. Adams Sitney