A mix of spectacle, animation and dance, the film reveals an early delight in the potential for creative fun with film form. Its director, Walter R. Booth had been described as making British films which attempted to out-Méliès Méliès.
Mammy Two-Shoes tells Tom and Butch that the cat who gets rid of the icebox-raiding, breadbox-invading mouse (Jerry) is the one who can stay.
Tom chases Jerry into a bottle of invisible ink, and the now-invisible Jerry proceeds to have fun torturing Tom.
Jerry takes a midnight snack from the fridge unaware that Tom is watching him.
Tom invites Toots to an elegant dinner. However, he's made the mistake of trying to put Jerry to work, as a serving boy, a corkscrew, and other tasks. Jerry puts up with a little of this, but mostly gets revenge on Tom.
Butch convinces Tom and Jerry that there's no reason to fight and they should all sign a peace treaty. Tom and Butch even rescue their pals from a fellow cat and dog. But then a steak falls off a truck and the boys can't decide how to divvy it up, ultimately losing it completely, and the truce is off.
Winterbolt is trying to make the North Pole his evil wonderland, and it is up to Frosty the Snowman, Rudolph the Red-Nosed Reindeer and others to stop him.
Tom calls the exterminators, but they send a cat, who despite his various tools, doesn't fare much better than Tom usually does.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
It's spring, and Tom is much more interested in the female cat next door than in Jerry.
Tom fights with another cat over Jerry.
Tom is golfing, but having no success. Jerry insures that remains the case.
Living isolated from the world in her dorm room, a young woman in her twenties has lost sight of her own boundaries within a monotonous and mechanical life. One day, during a panic attack, she falls into the depths of her own mind. This descent into the unknown transforms into a story of rebirth.
Six characters meet in a bath house. The pedant bath house manager, a couple with a strange way of communicating and a gang with shady intentions. Something goes wrong.
In a surreal, industrial dystopia, a travelling salesman encounters a singing behemoth. This towering, two-headed monstrosity tempts him with a terrifying (but lucrative) proposition.
A little boy is having trouble falling asleep because there are monsters in his bedroom
Oswald would like to see Mlle. Zulu the Shimmy Queen but he's short on cash. Seeing the more stately gentlemen being admitted without tickets, he tries to fool the bouncer into thinking he's important by puffing up his chest and striding in. It doesn't work, and he's forced to try a second plan, sneaking in under another patron's shadow. He gets caught and spends his time being chased by the bouncer throughout the theater.
Oswald is with his mates in a fox hunt, but he finds his horse is stubborn and won't let him ride at first. Meanwhile, the sly fox outwits the dogs and riders in pursuit at every turn.
Oswald is riding along on his horse having a merry old time when the two of them fall down a hill, right up to a castle. Oswald whistles for the princess, who blows him a kiss as she appears on a balcony. He reaches her by lassoing the balcony and tying the other end of the rope to his horse's tail, using it as a tightrope. A rival knight suddenly appears and Oswald falls off the balcony, startled. He manages to climb back up and the two fight for the princess.
Oswald is off to see his sweetheart when he is passed by a rival in a faster car. He takes the lead, though, when both drivers encounter a mud puddle; Oswald isn't afraid to get a little dirty, while his competitor is. Oswald arrives and serenades his love, hampered by the animals in the yard. The rival shows up and they fight over the girl, during which time she slips away with a third suitor.
Oswald the Rabbit enters an airplane race with a makeshift aircraft and ends up riding a dachshund lifted into the air by balloons. Meanwhile, his peg-legged rival tries to cheat his way to victory.
