An imaginatively choreographed dance interpretation of the ballad by Nina Simone explores four common stereotypes of Black women.
Linda Martina Young
as Aunt Sarah / Saffronia / Sweet Thing / Peaches
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
While walking his dog, Eric bumps into the confident and carefree Ryan. Taking a nervous leap, Eric accepts Ryan’s invitation to walk through the city en route to a concert. In the next six blocks, the two men discover that intimacy through anonymity also exposes one another’s flaws and insecurities. Will they make it to the concert in one piece?
Daniel Johnston stars in this psychedelic short film about an aging musician coming to terms with the dreams of yesteryear.
Elias dreams of a family. Christian is happy about their free existence in an open relationship, where they have time and money to travel, buy expensive designer furniture and love each other. Elias has been able to keep his longing at bay for a long time, but when he starts his new job as a psychologist at a school home, it is as if the burden is overflowing. He must face the fact that a life without a human responsibility for others than himself can never be a happy life for him.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.
At a secret monastery located in a rural area of Thailand, a music teacher is trying to help a young nun to be able to speak again. The nun's passion and sexuality clashing with her religious convictions have caused her to shut down.
Emilio, a six year old, feels deeply troubled by his parents' recent separation. Aware of his anguish, his grandmother decides to undertake a special mission to alleviate his emotions: to make him believe that he has the power to become invisible. Through this shared fantasy, they embark on an emotional journey where they learn to look beyond the superficial and recognize the true value of family bonds.
When two sisters board a mysteriously familiar train carriage, they must learn that death is but one stop on an infinite journey.
Repetition, repetition, repetition…
A few weeks before Carnival, slum boys organize huntings for stray cats, whose leather can be used in Samba percussion instruments, like the Tamborim, a small drum.
The former lover of man dying of AIDS goes for one last visit only to find the man missing and the man's angry sister there.
A woman wanders in a big and empty parking lots following a man who she seems to want to ambush. From her gestures something furious and menacing emerges. Everything seems to draw back to a woods beyond her abandoned home, a place that hides the true nature of her actions.
Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.
As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.
A man explains how he was obsessed when he was younger by a mysterious room and an extraordinary rarefied piano music that drifted through its open window during the night. Forty years later, returning to his home town after having spent most of his life abroad, in "a bunch of different places", he asks one of his friends to rent a room for him. As chance would have it, it turns out to be the same room which attracted him when he was a young man. What drew him again to this room?
A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.