A young girl is forced to continue working at her machine all day in a 1930s shoe factory after a visit to a backyard abortionist. Based on the short story 'How beautiful are thy feet' by Alan Marshall.
Rosalie Fletcher
as Leilia
Jenee Welsh
as Sadie
Virginia Portingale
as Mabel
Eve Wynne
as Nurse
Beth Child
as
Susannah Piggott
Vivien Mepham
Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
Friendship between two old men becomes love. Slightly-unkempt, tired, and frail, Philippe Lanctot moves into a rest home. The administrator says she wants him to be happy, but that seems far from his mind: he's waiting to die. Then, into his room, unannounced, rolls the voluble Victor Laprade, who draws out Philippe over the next few months. Victor gives Philippe the gift of experiencing the moment. In return, the well-heeled Philippe organises field trips to dinner and to a botanical garden, and, unknown to Victor, becomes the man's benefactor when Victor's children get stingy. The openly-gay Victor also pushes Philippe to acknowledge feelings he's always kept suppressed.
In a dystopian near future, a class of people are vaccinated with Anhedonia, a vaccine that causes the loss of pleasure and feelings in order to keep a population focused on farm work.
Pavel's mother hates his fiancee. When Pavel serves in the Army she writes him that Nastya is no longer faithful to him. Pavel decides not to return to his native town. But many years later he returns to his fathers funeral and finds out that Nastya died sometime ago. She left three kids orphans and her elder daughter is also a daughter of Pavel.
A woman on the brink of adulthood has a conversation with a world-weary older man during the course of one night.
Routine imprisoned Eva in an automatism that was ingrained in her spirit. Dromomania will perhaps be the expression that best illustrates her condition. She feels absent, and her frivolous glance catalogs each one of the small details of the journey that imprisons her every day. Her apathetic state is interrupted when she crosses an object outside the street and Eva is forced to finally face her demons.
This first feature by Amy Greenfield brings to the screen the story of the daughter of Oedipus in an emotionally relentless, visually stunning New Music Film Opera which challenges the conventions of narrative cinema to create a genre of its own. The 2500-year-old drama of the woman who defied the state to bury her brother is transformed through stark, ceaseless movement, haunting sounds and music (including themes from Glen Branca, David Van Tieghem, Elliot Sharp and Diamanda Galas) and words of outcry against our own world's injustice.
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.
Reluctantly, a sulky adolescent returns to her parents' house for yet another boring summer vacation, dabbling in desire and the art of desirability, eventually mixing reality with vision, caged fantasies with the fierce female sexuality.
Charlie is a former classical pianist who has changed his name and now plays jazz in a grimy Paris bar. When Charlie's brothers, Richard and Chico, surface and ask for Charlie's help while on the run from gangsters they have scammed, he aids their escape. Soon Charlie and Lena, a waitress at the same bar, face trouble when the gangsters arrive, looking for his brothers.
After a disfiguring leg injury, a young woman develops an unsettling secret relationship with her own body in which pain is pleasure, mutilation is love and hungers of the flesh have a mind of their own.
Marie, who works as a successful door-to-door encyclopedia salesperson, has been married to her husband Francois for 12 years and has a two-year-old son. Though she is relatively content with her life, she feels something is wanting. Enter 50-year old African-American Bill. Initially she is annoyed by his insouciance, but she finds that she is irresistibly attracted to him. Soon the two are in the midst of sordid illicit affair. She knows little about her new lover, and he seems uninterested in learning about her, but the long sessions of lovemaking are something else entirely. Feeling out of control, Marie is increasingly repelled by her own actions. Psychologically, she struggles to reconcile her torrid encounters with Bill and mundane domestic chores such as bathing her son. Moreover, she finds herself incapable of hiding her adulterous behavior, rather she comes home with scratches and hickeys all over her body, to the devastation Francois.
On her birthday, Juliette is too upset to worry about the strange cleaner who imitates her every move and lusts after her clothing.
On the outside, Helen has it all – a loving family and a successful career – but when her suppressed mental illness resurfaces, the world crumbles around her. Crippled by depression, Helen finds solace through her friendship with Mathilda, a kindred spirit struggling with bipolar disorder.
A retelling of the story of France’s iconic but ill-fated queen, Marie Antoinette - from her betrothal and marriage to Louis XVI at fifteen to her reign as queen at nineteen and ultimately the fall of Versailles.