SFRJ is officially a place where everyone have a job and a house. The story follows hard labored workers who can't find a job, who bathe in public bathrooms and sleep in homeless centers.
Catchy mix of farce and documentary. Portrait of a Berlin theatre company made up entirely of the homeless, alcoholics and junks. They call themselves ‘rats’ and take the film over to have a party.
Through interviews with people on the street and songs recorded to memorialize JFK in the mid-1960s, the film explores the impact of the November 22, 1963 assassination on issues in today’s world, from lingering conspiracy theories to the proliferation of gun violence, homelessness, and the scourge of K-2.
As Niagara Falls transformed from honeymoon capital of the world to Las Vegas North, corporate hotel chains and casinos cast a long shadow over the independent motels that once populated the town. The Continental survived the transition by converting its rooms into affordable housing units, becoming a home for those with few places to go. The night manager, Brian, once a freelance photographer who survived the horrors of war in Vietnam, shares his duties with his colleague Linda. Together they manage both the Continental and the individual struggles of its tenants, providing more than a roof over the heads of those who live under their supervision. Bringing a fresh focus to one of the most photographed places on Earth, director and cinematographer Jesse McCracken develops an intimate and caring portrait of the residents of this modest micro-community set against the backdrop of neon-lit tourist attractions.
The Show Must Go On is a personal journey behind the scenes that confronts the epidemic of mental health issues in the Australian entertainment industry.
In 1984, eleven miners entrenched themselves underground to protest for better working conditions in the mining village of Almaden in southern Spain. The strike, deep within the toxic mercury mine, lasted for eleven long days, during which the whole village showed its solidarity with the men protesting underground. The mine was the heart of Almaden, around which everything revolved – until it longer existed. The mercury mine was closed for good at the beginning of the 21st century. As a consequence, the area has experienced mass unemployment and slow decline.
This is the story of a team of 40 agents facing 4,000 job seekers at a job centre in the Parisian suburbs. Samia, Corinne, Thierry, Zuleika must support and monitor, bring in the numbers, obey policy guidelines and communication injunctions, and find job offers while none is to be found. Will their strong sense of humor save them from the Kafkaian world they work in?
In the picture-postcard community of North Vancouver, filmmaker Murray Siple follows men who have turned bottle-picking, their primary source of income, into the extreme sport of shopping cart racing. Enduring hardships from everyday life on the streets of Vancouver, this sub-culture depicts street life as much more than stereotypes portrayed in mainstream media. The films takes a deep look into the lives of the men who race carts, the adversity they face, and the appeal of cart racing despite the risk.
Intimate true stories from St Kilda's Gatwick Private Hotel. Meet the incredible characters including sisters Rose and Yvette who dedicated their lives to caring for the forgotten.
“Set against the rattle of shopping carts and the white noise of L.A. traffic... “Disco’d” is an unvarnished, moving look at the lives affected by the rising crisis of homelessness.” —Los Angeles Times
For five years, Stephen McCoy documented street life in Boston. This is what he captured.
With the energy of the dying, those in power apply themselves to reasserting the value of work – with force, if need be. But more and more workers have understood that, to truly value their work, they have to do without it. They also have to get rid of the society of consumption that goes along with it. It may not be easy, but it is certainly amusing. We present a panorama of a mass desertion destined to spread.
On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.
It is winter at an emergency shelter for the homeless in Lausanne. Every night at the door of this little-known basement facility the same entry ritual takes place, resulting in confrontations which can sometimes turn violent. Those on duty at the shelter have the difficult task of “triaging the poor”: the women and children first, then the men. Although the total capacity at the shelter is 100, only 50 “chosen ones” will be admitted inside and granted a warm meal and a bed. The others know it will be a long night.
Three homeless teenagers brave Chicago winters, the pressures of high school, and life alone on the streets to build a brighter future.
Waifs, homeless, derelicts, almsmen, others, forgettens, outcasts, unwanteds. The Hotel of Waifs; a temporary resting place far from home, an amusement in a pale fun fair, an enthusiastic trip on roundabout ways of soul.
Where we come from shapes who we are, and how others see us. Home gives us a sense of belonging and stability. It’s so much more than just a physical structure. It’s our safety, our refuge, our launch pad. Yet, so many people in the U.S. face housing instability and homelessness. A shocking 76% of Americans live paycheck-to-paycheck. They are just one accident or injury away from losing everything. Losing a place to call their own. Our Journey Home explores how home shapes us and challenges our perceptions about people in need of public housing. The film examines the role we all play in supporting those who struggle in having a stable place from where they can grow and dream.