Football seen through the eyes of some of the best directors of the world.
Sami Samir
as Captain (Segment "Tunnel")
Kiki Sugino
as
Evo Morales
Orson Welles acted in Brazilian culture and music by deeply researching Brazil's historical geology, consciously completing a legendary cultural mission. Although being turned down by Hollywood producers, he developed a triumphantly accomplished mission in the language domain - three friends of Welles' testified his love for cinema, his passion for Brazilian music and people and his obstinate endurance against formidable pressures coming from inside and outside Hollywood regarding his unfinished "It's All True".
‘Her’ features five strong, unrestrained female characters, in a hyperlink narrative that celebrates womanhood in all its myriad forms. The story represents today’s women from varied backgrounds coming out of their comfort zones to live life to the fullest.
“Urban Motives 4.1” is an anthology film consists of 5 short movies by 5 Azerbaijani directors. The first, by Anar Abbasov, is about a relationship between a man and women who live next door; second, by Ru Hasanov, is about a life of a musician who is different from others with his mentality; third, by Teymur Ismayilov, tells a story of a young worker who has his own dreams; fourth, by Jafar Akhundzade, is about traumas caused by war; and the last one, by Vugar Islamzadeh, is a story about a criminal group and an officer who wants to take revenge.
Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Overwhelmed by her husband’s medical bills, Sofia takes a desperate measure: she becomes an egoblogger.
Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?
Just 10 minutes from the center of Madrid (but also from Rome, Paris, London ...), hundreds of hungry men meet in a fortuitous and secret way. Some are looking for quick and easy sex, others are trying to escape loneliness, most are looking for themselves ...
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
Alcoholism and its Ill-Effects was considered to be one of the most popular science propaganda (or educational) films produced in Russia before the revolution of 1917. Alexander Khanzhonkov, the most prominent Russian film producer of that era, financed a special department dedicated to non-fictional cinema, despite the fact that such films were not commercially successful. Unfortunately, not a single copy of the film has survived to the present day. All that remains are 12 frames, which were used by Izvolov to create this reconstruction. He also used extracts from critical reviews, published at the time of the film’s release, to produce a soundtrack.
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.
A man must express his true passion of music and rhythm in a world where it is repressed and outlawed.
“Let’s describe it as a desire to be outward followed by a fear of being seen,” The 1975’s Matty Healy tells Apple Music. “I think that is the conversation that happens in this record.” This short film finds Healy reflecting on his motivations and complexities as he and his bandmates reveal the ideas that fuelled their fourth album, Notes on a Conditional Form. It’s a unique and unguarded look at one of Britain’s most venturous bands.
Jimmy Muir comes from a typical gritty, northern town where there are only two options: working down the pit or in a factory. But Jimmy has other ideas — he dreams of becoming a professional footballer. Confronted by a bitter and unsupportive father, hard-drinking friends and a lifetime of bad habits...has Jimmy the will to achieve his ultimate goal?