Anton may be done with life, but life ain’t done with Anton. In his convincing decision to change his measly existence he discovers the real greatness of life.
Fabian Jansen
as
Jankees Van Den Berg
as (voice)
Laura Branderhorst
Amanda wakes up in hospital with no memory of how she got there. As her doctor breaks some tragic news to her, Amanda's world begins to unravel in more ways than one.
A young man finds himself alone in his hotel room with a full bottle of vodka when his repressed memories begin to resurface and take control.
Having run out of weed, Norville visits his close friend and drug dealer Gary, only to find himself ravelled in an absurd conspiracy that only he can get to the bottom of.
Irishman Vincent Coke is facing execution on the electric chair after a lifetime of adventures, including smuggling rich Cubans from Cuba to the USA. While rebelling against the system, he finds an unexpected lifeline offered to him by the very system he is rebelling against.
The Cenesis of the fast food.
FLO has to go to Marrakech for work. So, it’s TOM who takes care of SAM, their 5-year-old son. Flo left him a list of tasks to complete during his absence. Despite this, Tom forgot Sam’s guitar course. From his ryad, Flo calls to blame him. Tom hates being caught. He picks up Sam. The car comes out of the garage at full speed. SPRÖTCH. Tom just crushed something…
In search of an answer to that seemingly simple question, Carl, a curious child, sets off on a great voyage of discovery. As one question is answered, more appear. Soon enough, where once stood but a curious boy, a great scientist will rise.
When Rong was a small child she and her parents moved from Vietnam to Prague. Now she is grown up and remembers that time and what it was like to feel like a foreigner.
The film follows Mrs. Sarika's departure to a Jewish retirement home. What was supposed to be a peaceful end to life, turns into the horror of the Holocaust, and she herself becomes a victim.
A Hmong village in Cacao, in French Guiana. When his grandmother falls ill, ten-year-old Ying has to go to Cayenne to get medicine. By the time he decides to return home, night has already fallen. Along the way, an extraordinary event takes place.
A male director is making a film about the annoying, dominant whiteness of cultural space. But what words do they really use? When two of the women in the team question how they figure themselves, they need a break.
The previously untold origins of Olaf, the innocent and insightful, summer-loving snowman are revealed as we follow Olaf’s first steps as he comes to life and searches for his identity in the snowy mountains outside Arendelle.
The very first images in the film set unprecedented standards in East German animated film: a Buñuelean eye that fills the entire screen, real-life sequences of fleeing animals and a sound collage running contrary to what is seen on the screen. This also extends to the protagonist of the film, a head on a foot without a body or arms who pads wearily through the depressing surroundings. Upon seeing various figures in the sky, he begins to copy their movements. To his surprise, he himself manages to grow wings and takes to the skies. But his attempt at flight ends in a sobering manner however, as it is revealed that flying creatures are just restricted in their range.