Oscarito
as Agapito
Cyll Farney
as Guilherme
Inalda de Carvalho
as Suzana
Afonso Stuart
as Herculano
Grijó Sobrinho
as Trigueiro
Margot Louro
as Florinda
Renato Restier
as Tiago
Miriam Tereza
as Lenita
Walter Mattesco
as
During the inauguration of Brasília, Brazil's brand new capital city, singer and ballerina Gilda hides in a working-class night club to escape from an inconvenient millionaire who's trying to date her.
The film narrates the adventures of the trickster Juca Moleza in the carnival while he has to deal with the consequences of the scams he applied to people of high society.
A lady, owner of a large area of land where it is believed there are several oil wells, is almost fooled by the president of a pseudo petroleum company into giving up her property for nothing, but is saved by his son's noble intervention.
For a long time a couple exchanged love letters, he living in the Northeast and she in Rio de Janeiro. One day he goes to the wonderful city together with a colleague, but he soon faces a problem: since he has sent the girl a photo of someone else, he is afraid to approach and reveal who he really is. At the same time, the colleague has a falling out with a girl who defends rock 'n' roll tooth and nail.
A small town is invaded by bandits who kidnap a rich man's daughter and other young girls. A group of rescuers is assembled, but three of the town's most fearful residents decide to transform into the funniest three musketeers in cinematic history.
Tired of royalty, the prince of Araquelândia switches identities with a popcorn maker look-alike so he can enjoy Rio de Janeiro's carnival alongside his butler. While the real prince falls into revelry, the false prince finds himself in trouble with the foreign country's political problems, including a corrupt ambassador and a terrorist.
A cleaner accidentely stills a secret formula and get mistaken for the heir prince of an old kingdom.
The "corn king" usually sponsors dreamy girls who want to become a miss in any contest. One of them doesn't agree with her sponsor's "donjuanesque" tactics and abandons everything to return to her former fiancé.
Three couples, two already living in Rio; and the third, with 'the one who hates carnival', coming to visit an aunt. One of the women bets that all husbands are unfaithful. They send invitations to their husbands to the carnival ball. They find a pretext to be able to attend. They, in turn, go in disguise, just like the maid. Hence the confusion at the ball, each one dating the other's wife.
A street vendor and a servant theater, newly unemployed, accidentally swap their briefcases trinkets for one of three bandits who just rob a bank. The chase, which also involves two "rapas" only ends when, aided by a chorus girl, unwittingly participating in a musical number of the show's theater company.