This acclaimed documentary film chronicles multi-platinum Grammy-nominated artist Hanson, and their four year struggle to make their third studio album "Underneath".
Isaac Hanson
as Himself
Taylor Hanson
Zac Hanson
as Himself / Narrator
The events that took place at the beach of El Tarajal in Ceuta (Spain) in February 2014 - the killing by the border police of 15 people who were trying to reach the Spanish coast - are an example of how the police force can violate the laws of its own country and international conventions with total impunity. The worst part is that this violation of human rights is protected by the Spanish Ministry of Interior itself, which hinders any effective action by the prosecution. For this reason, the civil society plays a fundamental role in revealing the facts. This is where the figure of collective complaints (DESC Observatory and the association Coordinadora de Barrios) steps in.
James Brown was the jewel in the crown, but the throne of Cincinnati’s King Records always belonged to its irascible founder, Syd Nathan. This is the 70th anniversary of the legendary record label and studio. It closed shop nearly 40 years ago, in a now long-neglected warehouse on the neighborhood border of Evanston and Walnut Hills, but its impact still reverberates across today’s music.
Recorded during a series of concerts at The Hague in early May 1991, this show is from 10 May and served as a benefit gig for Kurd Aid. It isn't a full length performance of course, but still remains interesting. Several of the performances were released as live b-sides on 'Ten Summoner's Tales' era singles. Perhaps of most interest is the live version of Hendrix's 'Purple Haze', a rip-roaring crowd favourite from that tour.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.
An examination of the hitherto unexplored relationships between Pan-African culture, science fiction, intergalactic travel, and rapidly progressing computer technology.
A musical romantic tragedy about a famous composer who moves back to his small hometown after having had heart troubles. His search for a simple everyday life leads him into teaching the local church choir, which is not easily accepted by the town yet the choir builds a great love for their teacher.
Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.
Evan, a musically gifted orphan, runs away from his orphanage and searches New York City for his birth parents. On his journey, he's taken under the wing of the Wizard, a homeless man who lives in an abandoned theater. After discovering his talent, the Wizard gives Evan the name "August Rush" and devises a plan to profit from his talent. Little does Evan know that his parents, Lyla and Louis, are searching for him too.
A Documentary on the Making of 'Gore Vidal's Caligula'
After a singing performance at a wedding, Laura receives the offer to perform at a song contest.
Documentary that recreates the biography of the Catalan composer and pianist Enrique Granados (1867-1916), his trips to Madrid, Paris and New York, his sensitive nature, the struggle to make his way in life despite the family economic straits and his first successes The story, built from vintage images, is interspersed with versions of the Granados repertoire by interpreters such as Rosa Torres-Pardo, Evgeny Kissin, Cañizares, Arcángel, Rocío Márquez, Carlos Álvarez and Nancy Fabiola Herrera, among others.
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
Time Is Illmatic is a feature length documentary film that delves deep into the making of Nas' 1994 debut album, Illmatic, and the social conditions that influenced its creation.
Legends of the Knight weaves together the stirring true stories of individuals who have overcome devastating obstacles, unselfishly given to the community, and embraced their inner superhero because of their love of Batman. Through the deeply personal tales of Batman fans, writers, and filmmakers, this feature-length documentary explores the power of heroic stories and encourages viewers to find their own unique path to heroism. Funded by over 1,100 people from around the world, Legends of the Knight is a return to our childhood dreams of being a hero. Put on your cape, and be inspired!
Composed entirely of still photographs taken by Chris Marker across 26 countries, If I Had Four Dromedaries presents a dialogue between three voices reflecting on the meaning of images and travel. Through this photo-essay form, Marker explores the relationship between still and moving images and the act of seeing itself.
Six actors portray six personas of music legend Bob Dylan in scenes depicting various stages of his life, chronicling his rise from unknown folksinger to international icon and revealing how Dylan constantly reinvented himself.
The movie follows Bernie, a record producer who persuades his nephew Frankie to create a new rock star that will help Bernie overcome his work related ennui. Iggy, the burnt out roadie pillages the graves of various celebrities such as Buddy Holly, Jimi Hendrix, and Sid Vicious, using the head of Elvis Presley to top things off. All goes according to plan until a mishap leads Iggy to steal Liberace's private parts instead of those of Jim Morrison. The monster is brought to life and is on the road to rock 'n' roll success when the Liberace side of the monster begins to assert itself, with tragic results. The result: a monster (Guggenheim) with the sex drive of a macho rock star and the sexual orientation of Liberace.
The 94 minute documentary film “From the 50 Yard Line” presents the football field not only as a sports venue but also as a stage for the marching band. The viewer goes on an exciting adventure through band camp, auditions, the marching season, and the regional and national competitions in 2006. You see the great rewards of disciplined practice, the overlooked technical artistry of the group endeavor, and the important life changing effects of instrumental music education. Another layer delves into the misconceptions about marching band, showing "band nerds" in a whole new light.
