Le Président, sa femme et moi !

Folle Amanda

Partage de midi

A staging of Paul Claudel's play "Partage de Midi" by Antoine Vitez.

La Face cachée d'Orion

La Bagatelle

Fleur de cactus

La Brune que voilà

Germain, a great seducer, collects the mistresses. There are four, all brown, and all married. When the husband of one of them disembarks to threaten him with death, he must break up. But with which? The gouailleur Robert Lamoureux interprets this man who does not like to leave women.

The Incredible Torture Show

Sardu, master of the Theatre of the Macabre, and his assistant Ralphus run a show in which, under the guise of 'magic', they torture and murder people in front of their audience. But what the punters see as a trick is actually real.

Les enfants d'Édouard

A woman, believed to be the widow of a certain Edouard, finds herself urged to reveal to her 3 children some very embarrassing news, but not without importance. The many consequences that result will not disturb their respective betrothal.

Je l'aimais trop

Au revoir… et merci !

La folle de Chaillot

High School Musical

A popular high school athlete and an academically gifted girl get roles in the school musical and develop a friendship that threatens East High's social order.

Cher Trésor

Amitiés sincères

La Bombe

An explosive comedy, by the author of I really like what you do. Definition: Weapon of mass destruction with dreamy measurements, "babysitting" your children during the holidays. Put it there with a neurotic mother in full "post-natal" depression, a father who is in his midlife crisis, a friend of the heavy flirtatious incorrigible family and note the damage: An explosion ... of assured laughter.

To the New Girl

A bold anthology feature film made by an all-female creative team and cast. Based on the popular play of the same name the 80-minute movie follows 10 women scorned as they directly address their exes' new wives and lovers at an open mic night in Los Angeles. Created by a dynamic group of emerging filmmakers at a time when audiences are demanding films made both by and for women, the project taps into a social and political climate that's left women poised to take back their voices and be heard.

Me and Orson Welles

New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.

Azaïs