Saar is an HIV positive gay man living in London, where he found refuge from the religious kibbutz where he grew up in Israel. Ever since he was diagnosed with HIV, Saar has craved his family's love, while they struggle with fears and prejudices.
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.
Inspired by the It Gets Better Project this documentary film follows the stories of three real-life subjects who are at unique impasses related to their identities as gay or transgender people.
I Always Said Yes is a portrait of pioneering filmmaker Wakefield Poole, whose careers as dancer, choreographer, and director spanned the golden years of Broadway, television, porno chic, and gay liberation.
A feature film that chronicles a complete season of the International Gay Rodeo Association. Roping and riding across north America for the past 30 years, the IGRA's courageous cowboys and cowgirls brave challenges both in and out of the arena on their quest to qualify for the World Finals at the end of the season. And along the way, they'll bust every stereotype in the book.
This film weaves across sound, image, time, rhythm and place and is made up of a number of layers both sound and visual layered on top of one another, talking to and informing each other. It is made using digital transfer versions of c90 tape compilations I made between 1992-1995, juxtaposed with moving image footage of me in 2018 and 2020 and a typeface font graphic ‘See Me’ that I designed in 2005. The c90 cassette on screen is the cassette compilation that I still have from 1994. The film also includes drawings and photographs and other artworks from my personal archive as an artist from the last 25 years. As I walk down the streets that were so important in shaping my life as a young gay man living in London, I revisit the gay bars and pubs that have been my safe spaces for the last twenty years and more, spaces that are now closed.
Fifty years on from the partial decriminalisation of homosexuality in the UK, this BBC Two documentary explores how safe it is to be gay in Britain today. With homophobic hate crime on the rise, this film takes a 360 degree look at the issue, hearing from the victims, their families and the police. What makes someone attack another person because of their sexuality? How do victims deal with these unsolicited and unprovoked assaults? And what are we doing about this in Britain in 2017?
The history of arguably the most famous shop in the world, which has been based on Brompton Road in London for more than 175 years, employs more than 6,000 people and still welcomes 15 million customers every year. This documentary tells the story of the people behind the department store, including Robin Harrod, the great-great-grandson of the store's founder, and culminates with the recent allegations against former chairman Mohamed Al-Fayed
Actress Elizabeth Taylor, who was born in London, England, gives viewers a tour of the city, including her birthplace, the Westminster Bridge, the Houses of Parliament, Battersea Park and an East End church that was damaged in the infamous "blitz" air raids during World War II. She also recites several famous English poems and speeches by notable English figures.
Ecosexual is a poetic monologue set in the Portuguese Mediterranean coast in Algarve about loving and making love with nature. It presents the male body as erotic object and as thinking, feeling subject. Through the senses of taste, touch, smell and sight, the protagonist loses himself in a communion with the natural world.
A group of older gay men get together every month for companionship, camaraderie, and sex.
Single mother Anna and her four children live in the front-line war zone of Donbas, Ukraine. While the outside world is made up of bombings and chaos, the family is managing to keep their home a safe haven, full of life and full of light. Every member of the family has a passion for cinema, motivating them to shoot a film inspired by their own life during a time of war. The creative process raises the question of what kind of power the magical world of cinema could have during times of disaster. How to picture war through fiction? For Anna and the children, transforming trauma into a work of art is the ultimate way to stay human.
Outraged by the controversial January, 1988 article in Cosmopolitan magazine, the women in the AIDS Coalition to Unleash Power, (Act Up, New York), organized the first AIDS demonstration focused on women. Doctors, Liars and Women:AIDS Activists Say No To Cosmo not only documents the efforts of the Women's Committee to organize this protest, it also serves as a how-to-guide for direct action.
A documentary film about AIDS and one unconventional woman's efforts to educate her small, Southern community. DiAna DiAna is a local hairdresser who transformed her beauty parlor into a center for AIDS and safe sex information.
Stiff Sheets indicts public health officials and politicians for the lack of adequate and humane care for people with AIDS in Los Angeles, this time documenting a mock fashion show staged by ACT UP activists.
Five gay Black men who are HIV-positive discuss how they are battling the double stigmas surrounding their infection and homosexuality.
In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.
Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.
