While a couple walks along the river, hunters hide behind a hill and friends in the forest recall the Dancer of Clavesana, a metaphor of free love that slowly vanishes into the winter landscape
In the distant future, Earth is no longer inhabited by humans to be the home of the robots. But like us, these robots had many, many tasks and obligations. Trank, a model of good old fashioned robots, living in the city of New Iron. But when the leader of the city comes up with a terrible plan to dominate the planet, precisely Trank is the only robot able to resist. Filled with humor, wit and new friends, the young hero faces obstacles unbelievable as the desert of Amazonia, Forest Electric and powerful machines to make it to the biggest challenge of all: the leader himself.
The horrors of a shipwreck, the bells of aforgotten lighthouse and the coming and going of the tides surround a tale about the sea. 'Sailor’s Grave' is the result of a workshop based on a work method taking its inspiration from the exquisite corpse game, a mechanism of collective creation where the participants manipulate and transform one another's drawings to construct an intuitive, improvised narration.
This film explores the distant relationship between an elderly amateur musician, the woman who lives in the apartment above him, and the leaky bathtub that is bothering them both.
An abstract color celebration of Soviet perseverance under fire (the literal firepower of foreign and capitalist warmongers), this lyrical animated short aims to capture Mother Russia's essence like lightning in a bottle. There's a spaghetti western vibe at times to the striking silhouette imagery here. Florid patriotic folk songs on the soundtrack are often depicted line-for-line in the gorgeous animation. - Dennis Harvey
A seamstress is waiting for her husband to come back from the war.
Seven characters, who are not connected with each other, live a restless day in the district in renovation of a busting city. Each one pursues a distinct aim and nobody pays attention to the others. A rag doll passes from the hands of one character to the other's. And their ways criss-cross until they finally meet and unite.
Mound is a celebration of the moving painting, in which more than one hundred pallid puppets – clowns, spectres, gnomes, wraiths, and ghouls – writhe, sway, plod, and transform with awkward grace to the mournful musical accompaniment of It’s Raining Today(1969) by legendary singer-songwriter Scott Walker (also known as Noel Scott Engel).
View is an imaginary story, but also a reality of a "child" who thinks that her "mommy" has left her behind because she does not love her anymore. The View speaks of children's feelings, evident in many broken families. Since the story is told from a child's point of view, the memories which the child conveys are mostly exaggerated and could be misrepresented. Still, a child's point of view tells the most truthful stories.
The Marshalls seem like they live an idyllic life, but all is not what it seems. Mrs Marshall is hiding a dark secret in the depths of the house
When a small boy loses his favourite toy – a small teddy bear – this draws him into the inner world of his childhood. Nonetheless, he must destroy this realm if he wants to grow up.
All alone, Yellow Guy tries to stop a lamp from teaching him about dreams. While Red Guy finds out the truth about the puppets' existence.
Rosie Ming, a young Canadian poet, is invited to perform at a Poetry Festival in Shiraz, Iran, but she’d rather be in Paris. She lives at home with her over-protective Chinese grandparents and has never been anywhere by herself. Once in Iran, she finds herself in the company of poets and Persians, all who tell her stories that force her to confront her past; the Iranian father she assumed abandoned her and the nature of Poetry itself. It’s about building bridges between cultural and generational divides. It’s about being curious. Staying open. And finding your own voice through the magic of poetry. Rosie goes on an unwitting journey of forgiveness, reconciliation, and perhaps above all, understanding, through learning about her father’s past, her own cultural identity, and her responsibility to it.
Beginner DJ Shreds and world-renowned cellist Vladimir Chizhov meet on a noisy street in Moscow barefoot man. Clicking on the strange machine, the characters are moved to the desert planet Plyuk. A remake of the beloved animated film "Kin-dza-dza!" No less fascinating and funny than the original, the adventures of the Shred and Uncle Vova. In this world of sand inhabitants are divided into two categories - patsaks and chatlan, a simple match has incredible value, and the people are met and escorted by the color of his pants.
Soviet propaganda cartoon from World War 2. Adolf Hitler, introduced by Charlie Chaplin's the Tramp, is ridiculed in three short skits.
22 Light-years draws on a range of visual sources, including photographic negatives, diagrams, found patterned papers, and archival footage. These sources merge, sometimes uncomfortably, with video that was screen-recorded while operating desktop home design software. By creating digital floor plans, landscaping, and roofless homes in real time, and manipulating those videos to move them further away from the software’s intent, Geiser fabricates a digitally lush, elliptical, uncanny world, where home planning never results in a tangible home. The familiar material elements (negatives, diagrams, flower seed packets) wear the skin of the immaterial realm, suggesting time as simultaneous, mutable, and unknown. (janiegeiser.com)