Wim Helsen: Shame Shame Shame

Rayen Panday: Fenomeen

The Cheerful Rascal

Because Urbanus does all kinds of pranks, he has to go to an improvement institution. There, Dr. Schrikmerg uses him as a guinea pig for his new invention: he makes a sort of robot from Urbanus.

Lebbis: W2P

Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.

Herman Finkers: EHBO Is Mijn Lust En Mijn Leven

First aid is my passion and my life. One traffic light turns red, another turns green: there's always something to do in Almelo. One of Herman Finkers' most famous quotes. Herman Finkers has been writing and performing theater programs since 1979. His programs are difficult to describe. He was probably best described in the Utrechts Nieuwsblad: 'master of the double punchline,' 'witty excess that does no harm,' 'sublime nonsense.' EHBO is my passion and my life is Herman Finkers' fourth program, recorded in the Leidse Schouwburg.

Jochem Myjer: Adem In, Adem Uit

In the show, Jochem talks about his love for nature. Jochem: 'If you're going to talk about something four hundred times, you have to choose something you really want to talk about. Jokes are fun, but I want to talk about things that interest me. My three big hobbies are fishing, theater, and birds. The book De Gorgels is also about nature. I've already incorporated my passion for biology into it, and now I want to show that on stage as well.

Patrick Laureij: Dekking Hoog

Comedian Patrick Laureij grew up in Rotterdam-Zuid and uses his life experience to talk about underage drinking, kickboxing, and playgroups.

Theo Maassen: Bepaalde Dingen

Registration of the first theatre program by the Dutch comedian Theo Maassen.

Maarten van Roozendaal: Het Wilde Westen

In this theatre show Maarten van Roozendaal, double bassist Egon Kracht and guitarist Marcel de Groot "celebrate" the "achievements" of Western civilization. However, the ambitious pursuit of wealth, happiness and freedom also appears to have a downside.

Theo Maassen: Functioneel Naakt

Registration of the fourth theatre program by the Dutch comedian Theo Maassen.

Theo Maassen: Vankwaadtoterger

Theo Maassen is back. In all its anger, indignation, amazement about so much stupidity and lack of empathy in society, and advocates understanding and reconciliation.

Wim Helsen: Het Uur van de Prutser

After an introduction in which he reminded us all of our meaningless, shitty lives, there followed an exhilarating hour and a half packed with hilarity, a dismantling of the Jesus myth, emotion, useful tips for the bakery, a few English expressions, Skopja skopja, and above all, Wim Helsen.

Jochem Myjer: Adéhadé

Destressing? Do that at home, will you! In 'Adéhadé', everything goes in overdrive, with many Dutch celebrity impressions.

Hans Teeuwen: Trui

In his third theatre program the Dutch comedian Hans Teeuwen plays with empty wine bottles, little girls and himself. Poetic, absurd, false and genuine.

Arjen Lubach: LIVE

Inspired by a fan, TV satirist Arjen Lubach makes the move from the news desk to the stand-up stage to share his search for life’s secrets. Plus, music!

Theo Maassen: Tegen beter weten in

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Theo Maassen: Ruwe Pit

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Micha Wertheim: Someone Else

This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.

Micha Wertheim: Voor Alle Duidelijkheid

Micha Wertheim asks himself and his audience how to live and survive in a gloomy future perspective. Populism seems to have been taken for granted by both right-wing and left-wing parties. Racism, sexism, anti-Semitism seem to be increasing. The planet is dying. The factory farming industry is still booming. We have reached a dead end and we are standing with our noses against a blank wall. All we can do now is turn around to see how we got here, with our backs against the wall.