A documentary about Cairo Jazz Festival's Amr Salah and his struggle every year to bring people and arts together in a country where 70% of people are under 30 and the Officials do not care about culture too much.
Carlos Bica
as Self
Carsten Daerr
Nabil Khemir
Soweto Kinch
Oum
In this sober and moody documentary, director Anders Østergaard explores the life - and death - of Swedish wonder kid jazz pianist Jan Johansson through a rain-soaked windshield.
In the late sixties, the American saxophone player and living jazz legend Ben Webster lived in Amsterdam for a year. Webster, who was born in Kansas City in 1909, was a unique personality in the world of jazz and blues. In the thirties, he played with all the great names. During his Amsterdam period, he stayed with an elderly landlady, Mrs Hardloper, with whom he appeared on a national talk show. In conversations with Van der Keuken, he muses on the past; on the fantastic experience of playing in the renowned Duke Ellington band; or on one of his best friends, who was so deft at eating with a knife and fork. Short, fragmented remarks, which Van der Keuken has edited in a loose, improvised editing style.
Director — and piano player — Clint Eastwood explores his life-long passion for piano blues, using a treasure trove of rare historical footage in addition to interviews and performances by such living legends as Pinetop Perkins and Jay McShann, as well as Dave Brubeck and Marcia Ball.
Viking chieftains, flaming torches and outlandish costumes liven up a dark January day in Lerwick, Shetland, as the townsfolk celebrate 'Up Helly Aa'.
A documentary about a life dedicated to jazz, as told by Velibor Pedevski, who has been living among a dynamic New York crowd for over a quarter of a century. Pedevski brings a unique perspective on the historical events surrounding the creative phenomenon of jazz. One of the most prestigious and important of all American cultural exports, jazz has conquered the world.
In the 70s, Barsham Faire on August Bank Holiday became a tradition for many to celebrate things 'medieval' and raise funds for local arts events. It put Barsham on the map.
This concert from the Jazz legend was recorded in 1973 with a very similar line-up to the later releases Dark Magus, Agharta, and Pangaea, featuring Al Foster on drums, Michael Henderson on bass, Mtume on percussion, Dave Liebman on sax, and, most importantly, Reggie Lucas and Pete Cosey on guitar. It contains some material from the previously listed albums, and plenty that is not, at least in any recognizable form. Jazz VIP. 2009.
A feature-length tour of Amsterdam's thriving jazz scene.
This episode focuses on Zappa's early 70s albums, Overnight Sensation (1973) and Apostrophy (') (1974). Together they encapsulate Zappa's extraordinary musical diversity and were also the 2 most commercially successful albums that he released in his prolific career. Included are interviews, musical demonstrations, rare archive & home movie footage, plus live performances to tell the story behind the conception and recording of these groundbreaking albums. Extras include additional interviews and demonstrations not included in the broadcast version, 2 full performances from the Roxy in 1973 and Saturday Night Live in 1976, and new full live performance done specially for these Classic Albums.
Jean-Luc Godard's acceptance video for the 2015 'Prix d’honneur'.
Filmed with an intimate three camera shoot by Antonio Ferrera, a close friend of John Zorn and a long time cameraman for the documentary masters the Maysles Brothers, this concert film captures the band performing a set of Zorn's Masada compositions at their home base in the Lower East Side, Tonic, in the summer of 1999.
A Free Cinema short documenting a night at the Wood Green Jazz Club, observing youth culture, music, and social dynamics through an unobtrusive, non-narrated style.
Amid the frenetic pace of New York City, a group of young musicians confronts the paradox of pursuing a professional career in the world of jazz while struggling for economic survival. Their experience highlights how, at times, artistic life and financial stability appear to follow irreconcilable paths.
The Hot Club of Montevideo is a Uruguayan cultural institution founded in 1950 by the pianist Paco Mañosa, along with his brother and some friends who played together. It was the first club dedicated exclusively to jazz in Latin America.
