Mixing new images to existing São Paulo movies takes, the documentary presents the city from the perspective of five main attributes: transformation, anonymity, crowd, precariousness and dimension.
This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.
The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.
A documentary celebrating 25 years of flemish subsidised cinema.
Chico has dedicated his whole life to CINE SAO PAULO. The building, inherited from his father, is now badly deteriorated. Refurbish it, in order to make the old movie theater get back to work, becomes his great obsession.
Record of the life and work of Luiz Thomaz Reis, a cameraman who accompanied Rondon's expeditions through the interior of Brazil since 1915. He documented, in photographs, the revolutionary movements of the 1920s, especially that of Catanduva. In the montage, iconographic material, old films and filming made at the National Museum of Cinema were used, where some of his cameras are located.
Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business. In time, the Warner Brothers moved into film production and would open their own studio in 1923.
Between 1983 and 1987, Ouagadougou, the capital of Burkina Faso and the home city of FESPACO, one of the most important Pan-African film festivals in the world, was the scene of an exciting cinema utopia. With the support of the young president Thomas Sankara, the festival became a symbol of the cultural renaissance of a whole continent. The assassination of Sankara stifled the hopes of millions of young Africans, but the dynamism of FESPACO and African cinema did not stop.
Exuberant, eye-opening movie that serves up a dazzling hundred-year history of the role of gay men and lesbians have had on the silver screen. Film contains fabulous footage from 120 films showing the changing face of cinema sexuality, from cruel stereotypes to covert love to the activist triumphs of the 1990s.
We Remember Marilyn. Marilyn Monroe transforms from Norma Jean, a cuddly teenager, into the most recognizable face and body in the world in these home movies, photos and film clips which span her early bit parts to her most known roles.
One billion people on our planet—one in six—live in shantytowns, slums or squats. Slums: Cities of Tomorrow challenges conventional thinking to propose that slums are in fact the solution, not the problem, to urban overcrowding caused by the massive migration of people to cities. (Lynne Fernie, HotDocs)
An exploration of the movie "The strange case of Angelica" and an understanding Manoel de Oliveira's cinema.
This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. This is the story of their lives, their memories, their unbending habits and the films they love.
An incredible historic document showcasing the roots of Old School Hip Hop movement with all its disciplines involved: Djing, Mcing, Breakdancing, and Graffiti. Featured in the "NYC: Urban Image" show at MoMA PS1 1983.
Tito del Amo, a passionate 72-year-old researcher, takes the final step to unravel the enigma about the alleged Spanish origin of the American cartoonist Walt Disney, making the same journey that his supposed mother made to give him up for adoption in Chicago. A journey that begins in Mojácar, Almería, Spain, and ends in New York. An exciting adventure, like Alicia's through the looking glass, to discover what is truth and what is not, with an unexpected result.
In this FilmStruck Original, film critic and What the Flick?! host Alonso Duralde discusses the evolution and progression of gay and lesbian cinema.
An examination of the great advances in cinematography achieved by Jack Cardiff.