Eager to escape a life of confinement in the refugee camps of Western Sahara in Algeria, Mariam flees into the desert to join the army, naively believing herself to be the Joan of Arc who will save her country from occupation.
Mariam Omar Ahmed
as Mariam
Liubov, a Russian lady who lives in Mexico City. During the routine of her day, Liubov will recall the experiences she had with death, from childhood to adulthood.
A portrayal of girlhood through the eyes of an average teenage girl.
Fifteen-year-old Klara is raped by a masked boy during Wet Monday. A year later, just before the first anniversary of the incident, she becomes paralyzed by a fear of water. Looking for support and understanding, Klara turns to her new, somewhat esoteric friend.
The story of two young women who go to the city to work in a dress factory, and who share a room to ease their expenses and their loneliness. The film shows the currents that brought them together and the facets of their natures that first made them seem compatible but eventually drove them apart. Their story reflects, to a degree, the situation of anyone who has ever shared the life of another.
A young woman makes amends with someone from her past.
The film is about a woman from a rural area and works in a small restaurant as a cleaner with very low pay. As she has to support her family (mother and daughter), she has no money for herself for better makeup or dress up. She has low esteem. She later was fired by the boss. Because of no money and no home, she goes to the massage parlor and works there a sex worker. It happens that the first customer is the chef of previous restaurant. She has admired him for a while. In this first sex exchange, she is well satisfied both emotionally as well as economically. She starts sex work this way and becomes more confident.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
Bullied at school and ignored and abused at home by his indifferent mother and older brother, Billy Casper, a 15-year-old working-class Yorkshire boy, tames and trains his pet kestrel falcon whom he names Kes. Helped and encouraged by his English teacher and his fellow students, Billy finally finds a positive purpose to his unhappy existence.
Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.
A 13 years old girl is forced to go living with another family for reasons unknown.
Guadalupe, a 25-year-old young artist, delves into a disturbing day as the figure of her own shadow stalks her, leading her internal struggle to a final confrontation that leaves indelible marks.
In 1955, 60-year-old Marcel Pagnol is a well-known and acclaimed playwright and filmmaker. When the editor-in-chief of ELLE magazine commissions a weekly column about Pagnol's childhood, he sees this as a great opportunity to go back to his artistic roots: writing. Realizing his memory is failing him and deeply affected by the disappointing results of his last two plays, Pagnol starts doubting his ability to pursue his work. That is until Little Marcel - the young boy he used to be - appears to him as if by magic. Together, they will explore Marcel Pagnol's incredible life and bring back to life his most cherished encounters and memories...
It is the day after President Park's death. Four children are left at home alone while their parents visit relatives in the country. A small dose of responsibility turns into an abuse of power as the older sisters start bossing their younger brothers around. The boys attempt to entertain themselves, and keep from starving, until their parents return.
When an eight year old kid, Ningning, had a pink chick who fulfilled the love she has been longing for from her sister, she once again experienced the joy of her childhood. However, it was cut short when the pink chick suddenly vanished. This has lead her to discover the harsh realities inside their household.
In the living room, RAMA (33), is painting the bottom of the wall which is full of TARA (6) crayon scribbles which resemble the shape of a ship with simple lines. JINGGA (30) is ironing her school uniform and feeding Tara who is busy drawing a boat in a drawing book. Rama looked tired, he suggested that JIngga stop painting so that Tara wouldn't get involved in scribbling. Hearing that, Jingga promised to take care of Tara so she wouldn't do it again. Rama said he was tired when he came home from work and found the house dirty. If JIngga can't get Tara to comply, then JIngga won't be allowed to paint anymore.
Against the backdrop of Nigerian burial traditions, a widow and her three children struggle with the noise of public spectacle that isolates them in their private grief.
On her walk home, a young woman senses a man behind her. What follows is a tense, internal journey, exploring shared fear and the emotional toll of constant alertness.
As he sits on a present situation where his childhood's expiration date gives way to an uncertain adolescence, Agustín decides to create a small freedom spot far from his daily routine.
