After two intifadas and the construction of the Israeli wall, the only Palestinian zoo is still there and is now seeking for international recognition and to replace their lost giraffes.
Filmed entirely with an iPhone, Teta, Opi & Me is a tribute to conformity, tolerance and courage. It is a poetic, meditative, multilingual, and feeling-driven short film, documenting the intricacies of the artist’s playful process in capturing her grandparents’ enduring romance through social, political and racial adversity. He comes from Bethlehem, Palestine and she comes from Vienna, Austria. Incorporating poetic filmic scenarios, vérité scenes, interviews, and home movies, the work is an inter-generational dialogue that explores themes of family, love, and the intermingling of cultures.
Artis, the Netherlands’ oldest zoo, is about to undergo its most radical renovation in its 178 years of existence. The inspired managing director has a very clear mission – but, is this mission at the same time not a threat to himself, his employees and his animals? And also: how can we look after our environment whilst at the same time we wish to reduce our influence on it?
Short film made from photographs taken by anthropologist and photojournalist Rogério Ferrari in Palestinian territories in 2002.
Soraïda is a Palestinian woman living in Ramallah, in the occupied territories. In this city under siege and a strict curfew, she fights her own battle: despite the military occupation, violence and oppression, she is determined not to lose her humanity.
The film tells the compelling and moving stories of two remarkable young women living in Gaza and the struggle of Gazans trying to maintain their humanity and humor while hoping to find some sense of normality in a world that is anything but normal.
Building on testimony from pro-Palestinian activists in Berlin and featuring demonstration footage from between 2023 and 2025, this animated documentary explores activist culture and the people who have spent the past 2 years clashing with German police. By applying an expressive and colourful brush stroke to the experiences and anecdotes of two people closely involved with the movement, we look into the motivations that have driven them to get involved and their reactions to the repression they have experienced. Staatsraison attempts to shine light on police violence and explore how repression can drive someone ever further into a political movement.
Gaza Ghetto: Portrait of a Family, 1948 – 1984 is a documentary film about the life of a Palestinian family living in the Jabalia refugee camp. The film, created by Joan Mandell, Pea Holmquist, and Pierre Bjorklund in 1984 is believed to be the first documentary ever made in Gaza. The film features Ariel Sharon, Binyamin Ben-Eliezer and soldiers on patrol "candidly discuss[ing] their responsibilities." The film follows a refugee family from the Gaza Strip who visit the site of their former village, now a Jewish town in Israel. As the grandfather and great-grandfather point out an orchard and sycamore fig that belonged to Muhammed Ayyub and Uncle Khalil, an Israeli resident appears and tells them to leave, claiming they need a permit to be there. The mother tells him that, "We work in Jaffa and Tel Aviv and that's not forbidden," to which he replies, "Here it's forbidden."
When, in the late 1990s, Israeli student Teddy Katz exposed the massacre of Palestinian civilians by Israeli forces in the village of Tantura, in May 1948, during the first Arab-Israeli war, he was initially praised for his pioneering work; but he was soon infamous and branded a traitor. Decades later, incendiary new evidence emerges that corroborates Teddy's findings.
Something from there is a short film on the substance of our original lands. Weaving between the voices of the artist’s parents, one a refugee and the other not, the film is personal, yet evokes a shared Palestinian experience.
Twelve Palestinian women sit before us and talk of their life before the Diaspora, of their memories, of their lives and of their identity. Their narratives are connected by the enduring thread of the ancient art of embroidery. Twelve resilient, determined and articulate women from disparate walks of life: lawyers, artists, housewives, activists, architects, and politicians stitch together the story of their homeland, of their dispossession, and of their unwavering determination that justice will prevail. Through their stories, the individual weaves into the collective, yet remaining distinctly personal. Twelve women, twelve life-spans, and stories from Palestine; a land whose position was fixed on the map of the world, but is now embroidered on its face.
We are taken behind the scenes of a play in-the-making: The play is Samuel Beckett’s WAITING FOR GODOT—starring a group of young 48-Palestinians. One by one, we are introduced to a variety of characters: the play’s director, actors, and other ordinary people. As we delve further into each of their lives, the film reveals the startling parallels between the themes of the play and their own. Everyone is waiting for something: a permit to build a house, better work conditions, a starring role in a film. Much like Waiting for Godot, our heroes are awaiting Faraj Allah… something that may or may not come.
The movie follows Rajai, a Ford Transit driver which is the most popular transportation in the Palestinian occupied territories (occupied by Israel). While taking a ride with Rajai, we experience the frustrating situation the Palestinian need to deal with. On our trips from the roadblock in Ramallah to the roadblock in Jerusalem, we get to hear analysis of the situation by all kinds of random transporters, people from different religions, origins, and levels of class.
14 years after his first visit, Louis Theroux meets some of the growing community of religious-nationalist Israelis who have settled in the occupied West Bank.
Initially embarking on an unplanned personal filmmaking project, Ilias Boukhemoucha finds himself drawn to the overlooked corners and marginalized communities within Canadian cities.
What is the reality of daily life in Gaza, along the border of Israel? Can the religious organization of Hamas, rivals to the PLO, move from international pariah to meaningful political player with citizens' interests at heart? Developed over two years and with unprecedented access to this 'terrorist' organization, this documentary uncovers the deeper issues defining life in Gaza under Hamas.
Haunted by the killing by Israeli police of a Palestinian friend from his youth, an Israeli queer filmmaker embarks on a cinematic dialogue across time — confronting memory, friendship, and the genocide unfolding today. In this intimate cinematic letter, Israeli filmmaker Roy Cohen addresses his Palestinian friend and fellow peace activist Aseel Aslih, who was murdered by Israeli police in their youth. Cohen tells Aslih of his experiences navigating a growingly genocidal society and seeks Aslih’s moral clarity and resilience in the evocative letters he had written as a teenager.
A documentary on how British double-dealing during the First World War ignited the conflict between Arab and Jew in the Middle East. The bitter struggle between Arab and Jew for control of the Holy Land has caused untold suffering in the Middle East for generations. It is often claimed that the crisis originated with Jewish emigration to Palestine and the foundation of the state of Israel. Yet the roots of the conflict are to be found much earlier – in British double-dealing during the First World War. This is a story of intrigue among rival empires; of misguided strategies; and of how conflicting promises to Arab and Jew created a legacy of bloodshed which determined the fate of the Middle East.
This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.
A documentary that follows Dr. Penny Patterson's current scientific study of Koko, a gorilla who communicates through American Sign Language.