“Namibia Crossings” takes a trip through a country of archaic beauty and bizarre contradictions. The film creates polyphonies of soulful landscapes made up of each individual's highs and lows.
Fredy Studer
as
Hans Hassler
More than 10,000 street children live in magical, bustling St. Petersburg. But here's Larissa, with her Cirque Upsala: she takes these outcasts and catapults them to unsuspected heights. From the Streets to the Stars takes us on a fascinating journey, from the depths of the Russian slums to the limelight of the circus world, via the adventures of a Swiss tour. It follows 6-year-old Danja, the rising star of the circus; Mischa, who is taking on responsibility for the first time in her life; the enigmatic street child Nastja; and the troubled Igor, whose single mother is completely overwhelmed by her 4 children.
It's there, it's been Irène Schweizer's faithful companion for over 40 years, sharing her joys and sorrows, inspiring her and allowing her to live her dreams: her piano.
A true pioneer of Swiss cinema, Isa Hesse-Rabinovitch (1917-2003) followed an unusual path throughout her life. The daughter of Judeo-Russian immigrants, she grew up in Zurich. She married a son of Hermann Hesse, with whom she had three children. Influenced by the artistic work of her parents, she worked as an illustrator, then as a reporter and photographer, always mindful of her independence. At the age of fifty, she began making films. Her first experimental shorts immediately earned her invitations to various film festivals and a resounding response abroad.
What becomes history, what feeds memory, what shapes an era? Images found in the dustbins of history. Taken out of context, fragments, testimonies and unpublished documents intermingle, interweave and collide. They take on a new meaning, a dimension of authentic proximity. The peregrination touches on the advent of the atomic bomb, the military trials at the end of the war, the lie detector, the discovery of the Majdanek camp; Einstein, Lenin's embalmer, the KGB agent, the American spy rebuilding his life in Russia, the Yugoslav war sniper all have their say.
They came to Switzerland in the hope of a better life when they returned home. Thirty or forty years later, they're still here. Now in their retirement years, three couples who once came from Turkey and the Balkans are at a crossroads: to return or to stay? The question has been with these migrants all their lives in Switzerland. It's now urgent to find an answer, and the families of their children must also make a decision. Will the older generation return home? Who will look after old parents here or there?
Amidst the chaos of modern China, where megacities spring up at a dizzying pace, Swiss photographer Andreas Seibert has chosen to document the lives of the "mingong," the migrant workers who fuel the country's economic engine. Director Villi Hermann followed him in this endeavor for several years, immersing us in the photographer's eye and capturing the essence of his work on these forgotten souls. Seibert, with his lens, and Hermann, with his camera, weave together a poignant narrative that sheds light on the often-hidden reality of China's economic growth. "From Somewhere to Nowhere" is an ode to humanity in an ever-changing world, a reflection on the individual's place in the grand scheme of things, and a celebration of the power of photography as a means to capture the spirit of an era.
The film is the story of a musical encounter between drummers Pierre Favre, Fritz Hauser, Daniel Humair and Fredy Studer. The filmmaker brought them together in Zurich on January 6, 1997, and followed them over four days of rehearsals. The confrontation between these very different artists culminates in a concert.