Performance video about a holiday romance at St Ives, Cornwall.
Marty St. James
as
Anne Wilson
The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
A lonely lesbian plagued with thoughts of fruit whenever she attempts to masturbate begins to develop her own sexual prowess. Everything changes when Mina meets confident Georgia in the fruit aisle of a supermarket. With this newfound lesbian companion, a quick prayer to her “Celesbian” icons, and a flurry of new feelings inside of her, Mina starts to clear the oranges, pomegranates, melons, and apples from her brain.
The 2017 OSCAR® nominated short films, live action: Midenki (Sing), Silent Nights, Timecode, Ennemis Interieurs (Enemies Within), La Femme et le TGV (The Woman and the TGV).
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
Fragile in Love is an experimental short that rebels against the suppression of electronic music culture and gay house parties.
PROMISE ME ONE THING. DON'T LEAVE ME BEHIND. A story of 2 lonely strangers meeting up together on one lonely night in Bangkok.
A young artist is caught in between the world of fantasy and reality. There he finds a girl that he can't understand, explain, or identify.
Bogo, a self-deprecating stand-up comedian, struggles to find happiness in a life where his only value seems to be making other people laugh.
Art Hahn is just one actor numbed by the New York struggle. One day, an unusual proposition from his friend, John Kim, leads him to a remarkable role that jolts his system like never before.
Rory thinks there's a ghost haunting his shower and decides to investigate its origin. But when he goes to a party and meets a romantic interest, his spectral mystery begins to unravel.
A Japanese-Chinese couple hangs out and shoots each other.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
