Takarazuka Revue's Phantom based on the play by Maury Yeston and Arthur Kopit.
Yoka Wao
as Phantom
Mari Hanafusa
as Christine Daaé
Aran Kei
as Count Philippe de Chandon
Sakiho Juri
as Gérard Carrière
A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.
The franchise centers on "Starlight," a dance and dance troupe beloved the world over. Karen and Hikari promised each other when they were little that one day they would perform together on that stage. Time passes and now they are both 16 years old. Karen is very excited about the dance lessons she takes every day, keeping her promise close to her heart. Hikari changed schools and now lives far away from Karen. But the gears of fate bring them together again, destined to meet again. The two, along with other hopefuls, will compete in a mysterious audition to become part of this great company.
In a small Japanese town, Ko-Ko is appointed to the unenviable position of executioner. Knowing he must successfully perform before the appearance of the Mikado in a month's time, Ko-Ko finds a suitable victim in Nanki-Poo, who is distraught over his unrequited love for the maiden Yum-Yum. Nanki-Poo agrees to sacrifice his life if he is allowed to spend his remaining days with Yum-Yum, who is betrothed to Ko-Ko. Opera Australia production filmed at The Arts Centre Melbourne.
La Vie parisienne (Parisian life) is an opéra bouffe, or operetta, composed by Jacques Offenbach in 1866, with a libretto by Henri Meilhac and Ludovic Halévy. This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects. It became one of Offenbach's most popular operettas.
Based on the manga The Rose of Versailles by Ikeda Riyoko.
Musical by the Takarazuka Revue. In modern day France, an exhibition is being held at the Palace of Versailles of the "Necklace of Marie Antoinette". The necklace had been used in a fraud case that marked a chapter in French history and later went missing. It has been reproduced using real diamonds. Fujiko has sneaked into Versailles, as has the gang of Lupin, Goemon, and Jigen - all with the intention of getting their hands on the necklace, which is valued at over 3 billion yen in today's money. But they bump into Inspector Zenigata. Lupin is the one who manages to foil Zenigata and grab the necklace. Yet the instant he lays hands on it, everyone is enveloped in a mysterious light. When they regain consciousness, they notice they have gone through a time slip to 1785, before the French Revolution when Louis XVI and Marie Antoinette were around.
It took Anna 10 years to recover from the death of her husband, Sean, but now she's on the verge of marrying her boyfriend, Joseph, and finally moving on. However, on the night of her engagement party, a young boy named Sean turns up, saying he is her dead husband reincarnated. At first she ignores the child, but his knowledge of her former husband's life is uncanny, leading her to believe that he might be telling the truth.
A series of terrifying accidents and brutal murders leave a bloody trail into the subterranean caverns of an Opera house. Below the theatre stalks a man raised by creatures of the underworld.
"La Bohème" is one of Giacomo Puccini's most popular and timeless works and the second-most performed opera at New York's Metropolitan Opera. This production, directed by the legendary Franco Zeffirelli, features José Carreras, Teresa Stratas, Renata Scotto and Richard Stilwell. The opera is replete with extraordinary visual beauty as it presents the tragic story of young bohemians struggling to make it in the world.
There are elements of Eurotrash in this outdoor Aix-en-Provence summer opera production. Nevertheless, the splendid singing and acting transform the story, normally treated as farce, into something considerably more serious. As many other critics have noted, the young lovers have not yet sorted everything out as this performance ends. Act One begins with the principal characters running around in the outdoor theater -- while the audience takes it in as if they had been advised to sit back and enjoy the novelty. Very likely they were also asked to refrain from applauding at the end of arias and ensemble pieces, in which the three-hour opera abounds.
Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Calif gets his wish. Puccini couldn't figure out how to do it. The traditional quick ending doesn't do it, and Berio's attempt is longer , tries its best, but ends up making it plain this is one wierd couple.
Joan Sutherland's farewell performance to the operatic stage offsets this story of the St. Bartholomew's Day massacre and the magnificence of 16th century France.
This Blu-ray is a splendid record of a creative production with terrific voices and direction, as good as the Met's videos any day. It also tends to be creepy and atmospheric, with music as good as anything Gounod wrote for his FAUST. Recommended to lovers of horror and opera!
This thought-provoking, modern-day interpretation of Rossini's 'Mosè in Egitto' sets the scene for superior music-making at the prestigious Rossini Festival in Pesaro. For conductor Roberto Abbado, the transposition of the action to the present day releases the energy of Rossini's music. At his disposal is a cast of top-quality vocalists such as the “refined bel canto artist(Bresciaoggi) Sonia Ganassi as Elcia, and the “outstanding” Dmitry Korchak as the Pharaoh's son, two lovers fatefully drawn into the political turmoil and catastrophes of their time. Also among the protagonists are the “thoroughly brilliant” (DeutschlandRadio Kultur) baritone Alex Esposito as Faraone and, in his Rossini Festival debut, young, full-bodied bass Riccardo Zanellato as Moses. Conductor Roberto Abbado “inspired his musicians to deliver a spectacular performance” (Salzburger Nachrichten).
In Benjamin Britten's operatic adaptation of Henry James' masterwork, a naive governess (Helen Field) arrives at a country manor and soon discovers that it holds a murky secret involving her charges and two ghostly servants who wield a sinister influence on them. The taut, atmospheric production also stars Sam Linay, Machiko Obata, Menai Davies and Phyllis Cannan, with the Stuttgart Radio Symphony Orchestra providing accompaniment.
Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's play "Andromache." Set in Troy after the city fell to the Greeks, the production recounts the rancorous battle between widow Andromache and Helen of Troy's green-eyed daughter, Ermione for the love of Pyrrhus
This is the 2004 version of Kaija Saariaho's opera performed by the Finnish National Opera and conducted by Esa-Pekka Salonen.
In the midst of Sweden's rise to power, King Gustav III was the "darling of the rococo" who brought to flower the gorgeous Nordic culture. Set in the turbulent 18th century Europe, where power and intrigue swirled around him, this musical depicts his love, friendship, and courageous battle for his beliefs on a grand scale, involving a variety of characters.
Set on the fictional Mediterranean island of Callista on the eve of the outbreak of the French Revolution, the play depicts the struggles of a young officer who is torn between love, friendship, and his love for his homeland.
Alucard, a vampire resurrected in present-day New York, has achieved a “degenerative evolution” over the past 700 years. He no longer attacks people for blood, and is no longer afraid of crosses. He spends his days with his friend, Helsing XVI, a descendant of vampire researchers. Acting as Helsing’s ghost writer, he writes a fantasy romance novel about the events he witnessed in his past. One day, Alucard is dressed as a “vampire” at a Halloween costume party celebrating the publication of his book. There, he meets Lucy, a university student who dreams of becoming a dentist. As he gradually becomes more attracted to Lucy, his desire to become human grows. For a vampire with the gift of immortality, it is the equivalent of suicide.