NO DIVIDE - A Sticky Film by Rhys Day

The Oceans Are the Real Continents

Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.

Skate Manzanar

A meditation on skateboarding, civil liberties and memory. Inspired by the essay by Martin Wong, "Return to Manzanar", based on a trip he took with "Giant Robot" publisher Eric Nakamura.

Poker

A burst of cheer and refreshment that it seems perfectly suited to a late July afternoon.

Tower Bawher

This animated short by Theodore Ushev is like a whirlwind tour of Russian constructivist art and is filled with visual references to artists of the era, including Vertov, Stenberg, Rodchenko, Lissitsky and Popova.

Toronto Jazz

Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.

The Joys and Sorrows of Young Yuguo

16-year-old Yuguo, who has a passion for Eastern European romantic poetry, makes a pilgrimage from his home in China to the foothills of Romania’s Carpathian Mountains.

Almost Thirteen

A father’s heartfelt plea to have lifesaving talks with pre-teens and teens comes after his 12-year-old son’s suicide from COVID-related isolation.

Devir

Espetáculo

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

2017 Oscar Nominated Short Films - Live Action

The 2017 OSCAR® nominated short films, live action: Midenki (Sing), Silent Nights, Timecode, Ennemis Interieurs (Enemies Within), La Femme et le TGV (The Woman and the TGV).

Magic Muscle Moments

The daily life of an ill man is constantly interrupted by television advertisements. They promise some change to his life. He finds himself as a part of the adverts, but soon the empty promises become demonically possessive. The truth sets in.

Minefield!

A story of sappers in the field clearing mines.

The Beauty President

In 1992, at the height of the AIDS pandemic, activist Terence Alan Smith made a historic bid for president of the United States as his drag queen persona Joan Jett Blakk. Today, Smith reflects back on his seminal civil rights campaign and its place in American history.

It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live

Two queer Brazilians go skinny dipping in a lake where they talk about love, sex, colonialism and migration, on a pandemic summer afternoon in Berlin.

Une histoire très simple

No One Is an Island

Through an animated conversation, scientists explore if everyone can live well without harming the environment and reveal how hope and creativity can inspire change.

A 3 Minute Hug

As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.

Haida Carver

On Canada's Pacific coast this film finds a young Haida artist, Robert Davidson, shaping miniature totems from argillite, a jet-like stone. The film follows the artist to the island where he finds the stone, and then shows how he carves it in the manner of his grandfather, who taught him the craft.