"A poetic allegory about technology's invasion of the body and the destruction of the immune system, witnessing the pollution of history that drowns us." - Video Data Bank
Joanne Green Levine
as Cyborg
Animated short.
Two superheroines face a gangster mob cult, who seek to fulfill the wish of their god.
In a university controlled by a totalitarian regime, Lucas gradually becomes aware of the oppressive world around him. Guided by Elena, he discovers an underground network that is trying to save books by digitizing and distributing them.
Sometime in the not so distant future, where everyone speaks through emojis, lives a 13-year-old boy called Pwyll.
A ravaged London is in the midst of a century-long civil war in which the battle-line isn't race or religion: it's gender. And the resource at stake isn't land or wealth: it's reproduction. The film follows the journey of the youngest member of an underground female resistance group, and her relationship with her biological mother.
A few days after his grandfather's death, young Igor decides to make a documentary about the history of his family in an attempt to understand why his grandfather, Guilhermino, was obsessed with strange facts that had happened in his city. Thus, in 1990, in the interior of the state Rio Grande do Sul, Igor and his father Nilson interview relatives, friends and people involved in the case in an attempt to undo the bad name of his grandfather, but what they find out is a part of the story of the state, unraveling mysteries related to extraterrestrials, failed space programs and a muddled mission of the Cold War.
Ghostbusters meets The Matrix in this experimental short film from the makers of Wyrmwood: Road Of The Dead.
Near-future Tokyo. Kou, through the help of his high school best friend, finds a surprising way to express his mounting frustration at the insidious forces of commercialism that are forcing out the neighbors he cares most about. Initially inspired by a prank that the writer-director Neo Sora (The Chicken, 2020) had pulled on him in his childhood, a sense of warm nostalgia and cold, material reality intermingle to tell a tale set in the not-so-distant future about disappearing spaces and the forces of policing and gentrification that drills this process forward.
The year is 2092, the world has fallen into another state of War. World War III has begun. A hidden device known as PA5305 can put an end to the disastrous War as we know it. Leaks on its location have spread, every side now hunts it down. Some to use it to end the War, others to destroy it for that very reason. A ranger has been sent on a solo mission across the battlefields to retrieve PA5305 from its leaked location. The enemy side has sent a hunter to track down the ranger and stop him in his path. Whoever retrieves the device will decide the fate of World War III.
After injection of medication, the test subject girl turned into Chimera when her switch of nose got pressed. What kind of sight can be seen when no longer a human being keeps humane needs or wants? Is the creature moved by memories, admiration, love, or hates? Who saw the world of this fragmentary story that swinging camera works tell?
Neo-Berlin, 2079. A dark city held by mega corporations where the only way to enjoy life is by connecting to cyberspace. A team of detectives are investigating a new menace: an army of cyber octopuses that are terrorizing the government.
In a futuristic totalitarian utopian society, babies are created through genetic engineering, everyone has a predestined place in society and their minds are conditioned to follow the rules. A tragic outsider jeopardizes the status quo.
Quantum mechanics postulates that the macrocosm may have emerged from nothing. While it presented a conception for the existence of the Universe, it also revealed an infinite number of loose ends. In a gap in this theory, the manifested spheres correlate and share social and political effects. Which universe are you in?
A short animation that mixtures scenes from the films "O Bandido da Luz Vermelha (1968)" and "Feliz Ano Velho (1987)."
All she knows comes from the screens. All she has known is the screens. A screen breaks and everything changes.
The dystopia of reality through employees who enter the workplace with coffins, an elevator as a cemetery in the plazas, mechanized white-collar people, people who get money out of their heads, businessmen snarling at each other and a boss who throws up money.
One-minute short exploring the ability to experience perfect love through digital glasses.