Michel Leeb
as Walter
Bernard Murat
as Jacques
Elisa Servier
as Paul's wife
Sophie Mayer
as Clémence
Bernard Dumaine
as François
François Feroleto
as Colonel, great admirer of Napoléon
Éric Viellard
as Officer
Bruno and Florence invited Sophie and Alex for the evening, but nothing goes as planned between the successful author, the brilliant entrepreneur and their respective wives, two sisters. Contradictions, anxieties, bad faith and pettiness come around the table. A delightful cascade of incidents quickly transforms the family reunion into a crazy night where secrets, bottles and unsaid are shattered until the two couples, caught in an irresistible whirlwind, formulate the most unexpected.
Val Kilmer, master of reinvention, becomes Mark Twain, in a funny, moving, contemporary and reflective performance, based on the life of the man who was Samuel Clemens and on his writings as Mark Twain: his thoughts on politics, his family, his faith and God… Twain shows the greatness of his incomparable wit.
A true story of politics and art in the 1930s USA, centered around a leftist musical drama and attempts to stop its production.
Alexis, Sylvia and Ellen are a trio of legendary scream queens. After the head of a motion picture studio invites them out to a very special screening in exchange for the possibility of a lead role in an upcoming horror film, the three women slowly become suspicious... not only of their circumstances, but also each other. They begin to realize that the horrific footage they are watching might be real and that they might be trapped in the deserted studio with a bonafide killer.
As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski.
Piera is a young woman who grows up under the parentage of two extremely original overseers: both her mother and father have incestuous relations with her before they are committed to insane asylums. A special connection, between a mother and her daughter, full of sensuality and complicity, has allowed to portray a family full of fears, rather unbalanced, but nevertheless searching infinite love.
When a dancer disappears from a theater, Clay Dalzell is asked to investigate, leading him on a trail of murder and deception.
King Lear has three daughters, but no sons. Boldly he makes a decision to divide his kingdom among his children, but fails to anticipate the consequences of his actions. His generosity is cruelly repaid and Lear finds himself adrift, wandering homeless and destitute. As he comes to realize the false values by which he has lived, he finally encounters his own humanity.
Ravi, a critic, comes across the writings of K T N Kottoor. Highly inspired by what he reads, he travels to a village in Kerala in search of the author.
A stage play by John Murrell, adapted by Eric-Emmanuel Schmitt, performed to perfection by Fanny Ardant and Robert Hirsch about the last days of Sarah Bernhardt. The play concentrates on an uneasy relationship between Sarah and her servant to whom she dictates her memoir, as well as a fragile relationship between her memories, actual history and reality.
45 year old Don Valter is a traditional priest who still wears an old fashioned black tunic out of nostalgia. One day young Claudio and his exuberant troupe of actors appear, proposing to perform an avant-garde show based on the Gospel's miracle of the rebirth of Lazarus*. The powerless priest is overwhelmed by this young upstart, who stirs within him emotions that will, whether he likes it or not, pull him into the modern era.
A writer plots to murder a blackmailer.
The enthusiastic Reine is forced to take a job as a social worker at Kumla prison.
A powerful portrait of the American spirit and a heartbreaking testament to the bonds of friendship.
In a small town in the 1950s a repertory company meets on Monday morning to start rehearsing the following week's play. This is a ghastly thing written by the aunt of one of the theatre's directors. The producer doesn't try to hide his annoyance about it, and is further exercised when the authoress herself arrives to help. The cast have to try and sort out real-life problems that keep intruding as they wrestle with the play's dire dialogue.