What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
In barely a century, French peasants have seen their world profoundly turned upside down. While they once made up the vast majority of the country, today they are only a tiny minority and are faced with an immense challenge: to continue to feed France. From the figure of the simple tenant farmer described by Emile Guillaumin at the beginning of the 20th century to the heavy toll paid by peasants during the Great War, from the beginnings of mechanization in the inter-war period to the ambivalent figure of the peasant under the Occupation, From the unbridled race to industrialization in post-war France to the realization that it is now necessary to rethink the agricultural model and invent the agriculture of tomorrow, the film looks back at the long march of French peasants.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.
"Before I left today, I almost forgot to answer a lot of e-mails."
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Silent film showcasing hypnosis and its effects.
The marks of the violence of the Chilean state, against its own compatriots. Flicker Film. 35mm B & W Still Photography. Silent.
We observe the daily routines of an elderly couple. Within the quiet flow of time, a longing for youth and irretrievable memories begin to surface. This piece reflects the sorrow hidden in the stillness of old age and the deep yearning for the past.
In David Grubin's NAPOLEON watch Napoleon's rise from obscurity to victories that made him a hero to the French people and convinced him he was destined for greatness. Learn of his love for Josephine Beauharnais, and his rise to Emperor. Witness his extraordinary achievements and ultimately his fall, his final battles, his exile to Elba, and his defeat at Waterloo. For nearly two decades he strode the world stage like a colossus -- loved and despised, venerated and feared. From his birth on the rugged island of Corsica to his final exile on the godforsaken island of St. Helena, NAPOLEON brings this extraordinary figure to life.
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
Most movie fans know that the first filmmakers liked to shoot trains entering stations. This example by Sussex film pioneer George Albert Smith illustrates why. The train's rush towards the audience brings movement and visual drama. The flurry of human activity offers plenty for the audience to engage with - who are these people and where are they going? And the time pressure exerted by the fact that the train must soon depart adds narrative tension - will everyone get on and off in time?
Documentary by Portuguese Silvino Santos, about the Amazon, its flora, fauna, its inhabitants and among other wonderful images from the beginning of the 20th century with alternating close-up shots of caimans, jaguars and tropical flora with footage of Indigenous rituals--including some of the earliest known moving images of the Indigenous Witoto people--and longer sequences showcasing the region’s extractive industries: rubber, the Brazil nut, timber, fishing, even the egret feathers that were a staple of women’s fashion at the time.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.