Three Tales of Terror

Viy

Based on a the horror novella of the same name. First Russian horror film.

The Golem

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

Bake Jizo

One of the two earliest horror films ever made. This film is presumed lost.

Murder and the Computer

After coming under suspicion for a computer technician's murder, six hackers team up to try to find the real killer.

The Murderers

A reformed criminal is blackmailed when three girls are murdered.

The Last Moment

Hercules Napoleon Cameron, who finds his adventure in books, is searching the waterfront with Alice Winthrop for a friend's father when they are shanghaied and taken aboard "The Finn's" ship, bound for the South Seas. "The Finn" is a brutal captain who reinforces his authority with a caged, ape-like monster. "The Thing" escapes during a storm, destroys the captain and crew, then turns on Alice and Nap. Fearing that their last moment has arrived, they declare their love for each other, and Nap suddenly develops a heroic impulse. He holds off the monster for a time, Alice and Nap swim for shore closely followed by "The Thing," and Nap finally drowns the beast with the aid of a large abalone. A lost film.

The Book of Murder

Much-married and once successful writer Henry T. Aythecliff, now heavily in debt, summons his three ex-wives to his mansion, planning to extort a sizable amount of money from each. When he is discovered dead, clues indicate that each of his four wives had motive and opportunity to murder him, and a young detective must sift through some ingeniously devised evidence.

A Chant of Silence

A murdering skyjacker parachutes to safety and poses as a novice monk in an isolated New Mexico monastery.

His Brother's Keeper

Rex Radcliffe, vice president of the Northern Atlantic Railroad, is opposed by company president William Harding in his desire to put over a deal that would jeopardize the stockholders of the Interstate Railroad. Using thought control, he causes Weer, Harding's discharged secretary, to murder his ex-boss. Weer is arrested for the murder. Radcliffe then puts Harding's daughter, Helen, also under his influence. John Bonham, Interstate president, becomes interested in the case, and with the aid of Mrs. Weer he exposes Radcliffe, who then commits suicide.

The Miser's Doom

A miser dies of shock when the ghost of a poor woman appears.

The Brand of Satan

A man discovers that he has two personalities--and one of them is a notorious strangler.

The Shadow of the East

Barry Craven meets former sweetheart Gillian Locke, who is visiting India with her father. Craven's love for Gillian is revived, but he already has a wife, Lolaire, a native. In a jealous rage, Lolaire kills herself, freeing Craven, who returns to England and marries Gillian. His Indian servant, Kunwar Singh, casts a spell on Craven, causing him to leave Gillian and to go into the Algerian desert. There he joins Said, an old university friend who is the son of an Algerian sheik. Gillian follows, the servant is killed, and with him dies the spell, "The Shadow of the East."

Alraune

It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.

Die Tophar-Mumie

A vengeful antique dealer targets a dancer.

Nailed

The King Kong That Appeared in Edo

A lost film considered one of Japan's first Tokusatsu films. The effects were done by Fuminori Ohashi, who claims to have been a modeling consultant for Godzilla 1954 (this claim is disputed by modeler Eizo Kaimai and art staff member Shinji Hiruma). The film's synopsis published in the March 1938 issue of Kinema Junpo indicates that the "Kong" featured in this film was not actually a giant monster.