Kazuo "Gaira" Komizu's sexually charged, delirious, and extremely low budget movie, has two men and two women trapped in an elevator, indulging in their growing psychotic fantasies about what they would do to each other.
Rumi Mochizuki
as
Eri Kimura
Takeshi Itō
Noriyuki Masakura
Keiko Minami
Bob Suzuki
Masateru Kuribayashi
Hyoto is a Japanese karate champion. His own career, the dojo he ran, and his students were doing well, and he was at the peak of his abilities. Hyodo's only complaint was his relationship with his wife, which had become completely cold. One day, Hyoto drunkenly bursts into a store, falls in love with the beauty of the woman there. He takes her to a hotel, discovering that she is trans. Hyōto fled the scene in a panic, but after that day, his sexual preference, which had only been interested in women, began to crumble. His student Haruhiko notices this change in Hyōto and confesses that he actually loves his teacher. He would have scoffed at the previous Hyoto, but the current Hyoto was different. He accepted Haruhiko's love, and he actively stepped into a new world of sexual pleasure...
Men are rotten. Women wander. Lost souls reconnect.
A married ad designer (Meguro) is having an affair with a married woman (Ming). When an ad agency head visits Meguro, it's revealed that he's Ming's husband (Shanwei). Shanwei warns Meguro to not only continue the affair but also record (for Shanwei) and "mentor" Ming in a series of escalating sexual domination/humiliation rituals. If Meguro refuses, Shanwei will disclose the affair to everyone, including Meguro's wife.
Several people are interviewed about the twisted story of a man who only gets an erection from shaving female pubic hair. Distributed by Xces / Nikkatsu.
The story is about Nagatoshi, a handsome and sexy monk played by Kazuhiro Sano, who is struggling for the widow he loves. Foreshadowing the prophecy of the Great Kanto Earthquake, the film is a highly entertaining theatrical spectacle that depicts the human condition of a downtown area undergoing development and the efforts of men and women who rebel against it.
One day, Hitomi observes her classmate Eriko stealing lipstick in a drugstore and follows her home. The two young women get to know and love each other. While the withdrawn Hitomi believes herself and Eriko to be reincarnations of angel warriors who once fought demon armies, her emancipated and apathetic friend wanders through life between sex contacts with older men and fear of falling into a boring bourgeois existence. The different futures of the two soon lead to tensions.
A fugitive man and woman (Kawase, Kawana) come to an island to retrieve their son (Iwasaki), who the woman has given to a foster family, but the son's foster parents are policemen (Ito)... The suspense surrounding the retrieval of the son is made unusual by the location shooting on the vast and desolate Miyakejima Island and leads to an allegorical drama about the essential desires of human beings. This was Kawase Yota's first appearance in a Zeze film, and he has since become a regular actor. The title of the film at the time of its first release was Sukebe Tenkomori.
No Good Men follows Kumiko, a young and attractive woman that works at a travel agency, and moonlights as an insatiable, sex-hungry mistress.
A high school girl lives by herself in her parent’s apartment. They deserted her and each other they both took lovers. Feeling lonely she signs up as a mistress at a “Lolicon House” to service middle-aged men.
Currently in the spotlight of the media, a sexual clinic in Nishi-Shinjuku, Tokyo called "SEX Women's University" (president: Ikuro Nishikawa, chief professor: Happy Funatsu) is visited with a camera, and patients (male and female) suffering from sex are shown. This is a series of secret shots of the patient's sexual sensitivity enhancement treatment, featuring a young woman, a middle-aged couple, and a young couple. The SEX treatment by the director, the chief professor, and a beautiful nurse is a sight to behold.
A man and woman meet when he pulls her out of an icy fountain that she has just jumped into. But their developing romance is marred by bad friends, money troubles and illegal sex work.
This is a drama that depicts the muddy human conflict between a man and a woman obsessed with money and sex over a man who consumes public funds, with a powerful touch, and is relevant today..
A road movie about three persons traveling in a campervan on their way to Tokyo, Hamamatsu, and Kyoto. The film is based on the story of the heroine, a young girl named Momo, who was a member of the "21 Faces of Kaijin" gang involved in the Glico Morinaga Incident, and the film's ideas are remarkable, including the use of a tape recording of the actual incident.
Rie, who moved to Tokyo from a rural mining town and is penniless after being cheated by her boyfriend, enters the world of underground wrestling by chance. This is a ridiculous ensemble drama inspired by Shinji Somai's "Luminous Woman" and incorporating the setting of "Tomorrow's Joe" (Ashita no Joe). Starring Aya Mizutorigawa, an idol of the pink film industry at the time.
Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends.
An impotent salaryman discovers he can have sexual experiences with unsuspecting women when he becomes an out-of-body ghost.
A beautiful teacher was assigned to Shirobara Academy as a substitute teacher . Because of her beauty, she quickly becomes popular with the male students and is shunned by the female students. Even her fellow male teachers started targeting her. The boys in the photography club made plans to secretly take nude photos of her and hold a photo exhibition...
A female highschool teacher must deal with sexual harrassment from her students and being trapped in a love triangle with two men, neither of whom has any interest in marrying her.
In a hospital with a near sighted doctor, horny nurses, cosplaying patients and stiffs in the basement the only healing taking place is sexual.
