Christian Alers
as Le policier
Max Desrau
as Le médecin
Pierre Destailles
as Trivoux
Bernard Durand
as L'inspecteur
Catherine Salviat
as Marie-Louise
Michel Roux
as Armand
Yvan Varco
as Michel
Katia Tchenko
as Geneviève
Liz and Hugh have been boasting of living in perfect harmony for fifteen years. But beneath the varnish of the ideal couple loom a weariness engendered by the routine and habits born of everyday life. A travel plan will soon strike the hour for settling scores ...
Guests of the wealthy young Don Alberto De Simone, the ramshackle troupe of actors known as "L'eclettica," led by Gennaro De Sia, rehearse a new play in an attempt to redeem themselves after the fiascos of their previous performances. The "rehearsals" are interrupted by the arrival of Salvatore, brother of Viola, an actress who is expecting Gennaro's child and who wants to force the man to act like a gentleman and marry her.
The tragicomic orderly Ove on stage portrayed by Johan Rheborg in a acclaimed one-man show. Ove is getting quite tired of life. When one day his newly moved neighbors happen to back off his letterbox, an upsetting series of events begins for Ove and soon nothing is the same. In the stage version of Fredrik Backman's book.
A viceroy, a nobleman and a bullfighter court a comedy-troupe actress in 18th-century Peru.
It's the story Hollywood has glamorized, publicized, and bombarded us with--how it all began for the two young men, now famous for the tabloid coverage of ther on-again-off-again romances, their big budget smashes and flops, and their "Project Greenlight." It started with a script for the film that became Good Will Hunting, slaved over by the bright young dreamers (portrayed in this play's permier by the female playwrights) in their run-down apartment in Somerville, Massachusetts, in 1996. Or was it This hilarious, scathing play takes us back to the pivotal moment when the finished script that would change their lives...fell from the ceiling while they were working on something else. The laughs come at a manic pace, in this delightfully venomous play that has taken off-Broadway by storm.
When the friendship between two men is put to the test by two women, we can only laugh because the author has managed to adapt this situation in a superb comedy.
In pre-war Japan, a government censor tries to make the writer for a theater troupe alter his comedic script. As they work with and against each other, the script ends up developing in unexpected ways.
A young Czech theater director has an ambition to adapt Eurypides' Phaedra. However, having affair with the actress, he puts his marriage at risk and the play turns to be a fiasco. Desperate, he tries to be the best possible father and husband. Not a perfect one.
Blaise is a doctor, Monique, his wife, is his assistant. That Sunday, in Orleans, the doctor gone hunting, and Monique, finding herself alone, meditating on her monotonous life ... when the doorbell rings, she writes in panic: "I don't want to yell ! ". But she is already yelping, that is to say that she dreams, straddling the real and the imaginary, logic and vision, the concrete and the abstract ...