Alt-Right: Age of Rage

An Outrage

AN OUTRAGE is a documentary film about lynching in the American South. Filmed on-location at lynching sites in six states and bolstered by the memories and perspectives of descendants, community activists, and scholars, this unusual historical documentary seeks to educate even as it serves as a hub for action to remember and reflect upon a long-hidden past.

L'écho de la révolte - Les émeutes 10 ans après

On October 27, 2005, Zyed Benna and Bouna Traoré died in an electrical substation while fleeing the police, sparking three weeks of riots across France. A decade later, as the officers involved are acquitted, the film revisits the voices of those who lived through the uprising. Through their stories, it explores what remains of that anger and how their view of society has evolved.

The Musicians' Green Book: An Enduring Legacy

Stories and music of Black artists who relied on an underground travel guide to navigate the injustices of racial segregation while on the road. The Negro Travelers’ Green Book was a directory of lodgings, restaurants, and entertainment venues where African Americans were welcomed. Features performances and interviews with vocalists, musicians, activists, historians, and others.

In the Land of Milk and Honey

Examines Pulaski, Tennessee, the town where the Ku Klux Klan was founded right after the Civil War, and where today its memory still runs very deep. Combining interviews with local residents, attendees at a Klan rally and counter demonstrators; historical photos; contemporary footage; scenes of a museum exhibit of the last-known original Klan robe; and a cross burning ceremony by the Klan; the video reveals Pulaski's historical and ongoing relationship to this controversial organization. We learn how Pulaski's citizens remember and reconcile the history of the Klan, how they continue to be divided about the organization's meaning and role, and how such history remains contested for Americans.

Danças Negras

A debate about the presence of black culture in Brazilian contemporaneity, as well as the various paradoxes found in the environment of a society marked by a racist and slavery tradition.

Nin E Tepueian: My Cry

NIN E TEPUEIAN - MY CRY is a documentary tracks the journey of Innu poet, actress and activist, Natasha Kanapé Fontaine, at a pivotal time in her career as a committed artist. Santiago Bertolino's camera follows a young Innu poet over the course of a year. A voice rises, inspiration builds; another star finds its place amongst the constellation of contemporary Indigenous literature. A voice of prominent magnitude illuminates the road towards healing and renewal: Natasha Kanapé Fontaine.

Lapo Chapé

The term "Lapo Chapé", derived from Martinican Creole, means "the skin color that escapes the status of a slave." This documentary thus explores the themes of skin color and mixed heritage from a unique perspective, through a series of testimonies that shed light on the invisible influences of history. These influences have shaped our social representations and continue to challenge our perceptions of identity today.

Chameleon Street: The Black Film They Could Not Sell

Elvis Mitchell uncovers why Chameleon Street (1989) by Wendell B. Harris Jr. failed to secure a proper distributor deal. Originally aired as a segment on "20/20".

Hoyerswerda '91

Incarceration Nation

An examination of the connection between relentless government intervention since colonisation to the trauma and disadvantage experiences by Indigenous Australians - the two key drivers of incarceration.

Moments without Proper Names

Parks makes himself the subject, tracing his development as a person and an artist through a non-narrative abstract self-portrait that combines his photographs with his poetry, musical compositions and scenes from his films. It also features footage of Parks, plus interpretations of his personal reminiscences performed by actors Avery Brooks, Roscoe Lee Browne, and Joe Seneca.

Joe Louis: America's Hero Betrayed

An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.

Behind the Burning Cross: Racism USA

A key overview of twentieth-century American fascism and antifascism produced in 1991 by the John Brown Anti-Klan Committee.

Briser le code

Speakers for the Dead

A film about small Ontario town's struggle to restore a desecrated African-Canadian cemetery and the resulting turmoil over it.

In His Own Home

Filmmaker Malini Schueller examines police brutality against minorities and the dangers of overmilitarized campuses.

You Can't Kill Meme

A hybrid documentary feature film about the genesis of "memetic magick" and its application by the alt-right in the United States.

Black History: Lost, Stolen or Strayed

A documentary that reviews the numerous contributions of African-Americans to the development of the United States. From the perspective of the turbulent late 1960s, the fact that their positive roles had not generally been taught as part of American history, coupled with the pervasiveness of derogatory stereotypes, was evidence of how Black people had long been victims of negative attitudes and ignorance.

[ÒDIO]

[ÒDIO] is a polyphonic work that resonates as a choral dramaturgy: a fabric of gazes and contrasting testimonies on the spread of violence, emerging from encounters with dozens of young people of various nationalities and backgrounds. A three-chapter documentary film that we shot by placing a lightweight blue photographic backdrop in schools, cultural spaces, and reception centers, starting from Rimini, then Rome (the Quarticciolo district) and Hamburg. [ÒDIO] is the final destination of our long theatrical research into the novel Frankenstein (or the Modern Prometheus).