A young woman takes refuge in a gypsy camp after her abduction and the death of her father. She is shattered when she comes to know that her abductor is her lover, who is a gypsy himself.
Feroz Khan
as Mangal
Rekha
as Shobha
Kamini Kaushal
as Champakali
Imtiaz Khan
as Dhurjan
Premnath Malhotra
as Sardar Babbar
Bindu Desai
as Bijli
On July 19, 2021, Raj Kundra was arrested by Mumbai Police for his alleged involvement in the production and distribution of pornographic content via an app called Hotshots. He spent 63 days in prison. This is his story.
Shankar loves his stepmother and stepbrothers as his own. However, the happy family disintegrates due to the vested interests of his stepbrother's wife and a greedy moneylender.
Three stories explore different relationships, their respective conflicts and how closure brings an end to a chapter while also ushering in a new one.
Ajay Shankar Sharma and his mom, Shivani, live a poor lifestyle until one day when Shankar's maternal uncle, Deviprasad, comes to visit them and bequeaths a large estate and wealth for their well-being, on the condition that they improve their home-town Sundergarh, the responsibility of which lies on Deviprasad's son, Sarjuprasad.
Sagina a factory laborer,an aggressive, honest and lovable character who was the first to fight against the tyranny of the British bosses in the Tea gardens of North-Eastern India.
Kanpur-based, pregnant Geeta Bhargav lives a wealthy lifestyle with her husband, Balwant, and three children: Shrikant, Arun and Usha. Her alcoholic and womanizing husband is arrested for killing a bodyguard of a Courtesan and is sentenced to 20 years in prison. She is then accused of luring men into her house and is asked to move on. Homeless, on the verge of starvation, she is unable to feed her family, and Usha passes away. She decides to become a widow, gets shelter, a job, and has Shrikant enrolled in a hostel. Then her luck changes when she is adopted by wealthy J.S. Archarya, and gives birth to Kirti. She explains her situation to Archarya, who wills her his entire estate and subsequently passes away.
Suraj and Aman are best friends who would die for each other. Suraj's father is brutally killed by a cop for stealing a bread to feed him. Suraj and Aman then take the life of crime to con people when they grow up they come across Pasha a drug lord and Suraj gets fascinated by his lifestyle. Aman meets Asha a club singer and both fall in love. Suraj and Aman get a contract from Pasha to kill Vicky whose testifying against him But Aman finds he is brother of Asha and decides to give away the life of crime and turn a police informer. While Suraj has become a big name in drug world and wants Pasha's throne. Suraj and Aman then part ways and Suraj blames Asha for everything and wants her dead.
Mithun Chakraborty's ambition is to become an upright Police officer, but unluckily he is not getting selected. His sole strength is his lady love Sridevi. As Mithun's ambition fails, he turns to alcohol, dacoity, and thugism. He finally joins Amrit Pal's lethal gang to take revenge on the Police force, which blocked his ambition. Sridevi (in a double role), is Shakti Kapoor's important gang member. One day, Shakti Kapoor gets the confidential message about an undercover cop in his Gang.
Ram Varma, a married man, is having an affair with a younger woman, Nirosha. One night when Ram meets with a life-altering accident, Nirosha is forced to contact Ram's wife, Dr. Lata. How will Lata react after discovering her husband's infidelity?
Janki lives a poor lifestyle in a small village consisting of her dad, Bhervi Prasad and her mom. She meets and falls in love with her school-teacher, Ramcharan, and both want to get married. Ramcharan's brother is opposed to this marriage as Bhervi is unable to pay any dowry, nevertheless the marriage does take place, but the couple are turned out of Kalicharan's house, and instead go to live with Ramcharan's friend, Ashok Mishra.
fight from honest police officer against rural thugs..
Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.
We are thrust into the decaying crumbling marriage of Megha and Vinay. A relationship that is now running only on toxicity and vitriol for each other. Accusations fly, perceptions have been distorted and what is left is an unreliable narration of events. The only thing certain is that there is no redemption when they try to address this by inviting guests…
This is the story of Amit and Samara - two souls in Mumbai, a city of millions and how the universe conspires to bring them together. This is a coming of age film about how two people are destined to meet but only when their individual lives are ready for each other. Through a chance encounter, a series of coincidences and fates helping hand, Amit and Samaras lives intersect and affect each other. Whether they can find their true paths or not, only time will tell.
The five-month-old baby of impoverished tribal woman Jhumpa Mahato is stolen. Two brothers, Gautam and Raman, who witness the kidnapping, try to help her and become embroiled in the complexities of the investigation.
Batra family has just four days left to vacate their house of 34 years. Amidst the mayhem and uncertainties of the future, insecurities and secrets surface.
Widowed soon after marriage, a young woman grapples with an inability to grieve, quirky relatives and a startling discovery about her late husband.
It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.
The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.
