A carefree millennial Helps his friend to move into the suburbs.
Caleb Fiesam
as Ben
Henita Telo
as Katie
Brian Kim
as The Priest
Ryan Masson
as The Best Friend (voice)
Both original and incredibly romantic, Redwoods tells the story of an already-partnered man whose love is tested when a mysterious drifter passes through his small Northern California town.
Before adulthood arrives, a close-knit group spends their vacation at their favorite countryside spot. But one friend grows anxious about the future. Sensing his fear, his two best friends urge him to face it with them. Will he embrace the unknown or cling to the past?
Naoya and Katsuhiro are boyfriends, new in their relationship. Things are uneven at first—Naoya is open and free while Katsuhiro is cautious and closeted—but nothing compares to the chaos that arrives when Asako, a troubled woman with a history of psychiatric problems, abortions, and casual sex, asks Katsuhiro to conceive a child with her.
A coming-of-age story. Shuji, a Japanese teen, is falling in love with his friend Hiroyuki, however, Hiroyuki is attracted to Kasane, the new girl in their class.
Chronicling the troubled existence of Duncan Mudge, a 14-year-old misfit who—while vying for the attention of his vacant father—struggles to fill the void brought on by his mother's sudden death.
A young zombie named Otto appears on a remote highway. He has no idea where he came from or where he is going. After hitching a ride to Berlin and nesting in an abandoned amusement park, he begins to explore the city. Soon he is discovered by underground filmmaker Medea Yarn, who begins to make a documentary about him with the support of her girlfriend, Hella Bent, and her brother Adolf, who operates the camera. Meanwhile, Medea is still trying to finish Up with Dead People, the epic political-porno-zombie movie that she has been working on for years. She convinces its star, Fritz Fritze, to allow the vulnerable Otto to stay in his guest bedroom. When Otto discovers that he has a wallet that contains information about his past, before he was dead, he begins to remember details about his ex-boyfriend, Rudolf. He arranges to meet him at the schoolyard where they met, with devastating results.
Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends. Grown-ups romp like children, and by their magnified infantilism playfully underscore such basic traits as sadism, sensuality, arid egocentricity. (Melbourne International Film Festival)
In sunny suburbia, a loud-mouthed Jewish mom incessantly nags and humiliates her shy gay teenage son, who she calls her 'Boychick'. Meanwhile, in the classroom, Boychick can't stop ogling a hunky classmate. If only Boychick had the courage to face up to his desires. As if by magic, along comes his idol, pop star Ashley Hart, to give him the hip-strutting, hair-flicking confidence he craves.
The short film depicts the life of a boy who is constantly sexually abused by his father. Leonardo Miggiorin brilliantly plays the role of this boy, who belongs to a poor and unstructured family.
Based on a story by the same name by Caio Fernando Abreu, it tells the encounter of a young man and a sergeant in the 1970s.
Marta and Ana break up, and shortly afterward, they get stuck in an elevator, forcing them to be honest with each other.
A stone-broke gay actor and a privileged screw-up with a failing business cross paths on a winter night and join forces in a quest around London to find a meaning to their miserable lives, but when their unlikely connection turns into something deeper, fears and demons from their past come to jeopardise the whole mission.
With £2.50 in their bank accounts, two friends Saoirse and Emma vow to have the greatest night of their lives at a punk poetry party. They discuss the current state of their lives while determined to keep the little riots inside of them alive.
Giuseppe, 33, is still struggling to build his life in a small Italian town where he has to hide his homosexuality. With a Polaroid in hand, he decides to leave for Berlin to find Peter, a summer love he has never forgotten. The shock of a cosmopolitan city is nothing compared to the moment he realizes that the German artist has a "normal" family. For him this represents the possibility of 'losing' himself and meeting Marco, who takes him around all night to arrive at dawn to the conviction that love is the only strength to find one's identity. "Polaroid" is one of five short film segments in an omnibus feature titled "A Quintet".
Natália and Isabela are girlfriends and a sertanejo music duo, just starting out in Belo Horizonte. During a weekend dedicated to creating a new album, the pressure to make something commercially viable and the fear of failure bring out insecurities and resentments. Faced with the conflict between ambition and love, they will have to decide if it is still possible to reconcile their careers with their relationship.
Two men probe the dangerous boundaries of their relationship by fulfilling the desires of body and mind.
After being best man at his best friend's (Saitou Toshihisa) wedding, Nagai Atsushi realizes that he might have fallen for him. Nagai, drowning in his sorrows and hatred for the new bride then meets Honda Kenzou, another guest at the wedding. Honda takes care of Nagai when he was dead drunk and now Nagai can't stop thinking of both Honda and Saitou.
In the occupied Netherlands near the end of WWII, a young teenager, Jeroen Boman (Maarten Smit) is sent to the Dutch countryside to avoid the war in Amsterdam. While living with his adopted family, Jeroen meets and becomes friends with a Canadian soldier named Walt Cook, who is stationed at the same town he is staying at. Joroen and Walt spend a lot of time playing around and eventually a romantic relationship develops between them. The boy’s sexual curiosity leads him to have a sexual experience with Walt, an encounter that is shown with some vague detail but without actually showing any nudity, even though sexual intimacy between the two of them is implied. Overall, the movie handles this difficult subject with an elegant style and feeling, without having the adult-child relationship overwhelm the viewer and thus allowing the movie to be seen as just a wartime relationship between two people that marks an important time in a young boy’s life.
A love story between a country boy in Beijing to study and a wealthy businessman set against the backdrop of the 1989 Tiananmen Square incident.