The story focus on Caridad and Georgina, who had learned the art of Cantonese Opera in Havana as a young age and performed as divas for over a decade before their lives were changed by Fidel Castro's revolution.
Caridad Amaran
as Herself
Georgina Wong Guitierrez
Franco Yuen
as Himself
Siu Yin-Fei
Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.
When the U.S. trade embargo left Cuba isolated from medical resources, Cuban scientists were forced to get creative. Now they've developed lung cancer vaccines that show so much promise, some Americans are defying the embargo and traveling to Cuba for treatment. In an unprecedented move, Cuban researchers are working with U.S. partners to make the medicines more widely available.
On the occasion of his 80th birthday, an intimate documentary follows the illustrious pianist and great French jazz musician, Alain Jean-Marie from Guadeloupe, on a recent trip to Cuba. He talks about his career, his adolescence, and his youth in Guadeloupe, where he was rocked and deeply influenced by Cuban music. Director Bertrand Fèvre followed this now essential artist in Havana, to be discovered or rediscovered through a film set to jazz.
This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.
Will Cubans be able to safeguard their heritage of pristine Nature and preserved ecological treasures under this new era, as they are facing the combined pressure of money and tourism? What policies can be implemented to maintain the island’s spectacular wilderness?
This revealing portrait of Cuba follows the lives of Fidel Castro and three Cuban families affected by his policies over the last four decades.
Documentary about the history of the bateyes, informal settlements surrounding the mills to house workers. Throughout the film, Sara Gómez recovers the political and cultural relevance of black migrants.
The first Road Movie feature film made by the Italian artist Sanzi together with the Cuban Balboa is inspired by friendship, the island and the motorbike. The two artists used, for the first time in Cuba, the form of the Road Movie--the cinematic genre the plot of which is developed during a trip.
Repainting Cuba takes a critical look at communist Cuba, where both the facades and the aging regime were given a coating of colorful paint in connection with the 50 year anniversary of the revolution. Two young Cubans under house arrest talk about being imprisoned for dealing with foreign tourists in a society where gossip and backstabbing is endemic, and where the heavy varnish can’t conceal the cracks.
Thomas Sankara came to power in Burkina Faso in 1983, with the promise of a revolutionary government that would transform the West African country. To help build the revolution, he sent 600 children — many orphans from rural areas — to be educated in Cuba. But after Sankara’s assassination, the children were stranded. The last would only return to Burkina Faso in 2005. SANKARA’S ORPHANS tells their stories through interviews with some of the 600, along with archival footage of their lives on Cuba’s Isle of Youth — where both Sankara and Fidel Castro came to visit. Along with their education, the children worked in the fields and received weapons training. This, combined with their idealism, frightened the new Burkina Faso regime, which worried they might return and take up arms.
Fidel Castro employed a vast spy network that helped him remain in power.
The story of a group of Cubans who arrived in Miami during the Mariel Boatlift and were housed in an improvised camp in the heart of the city. Everyone lived together —men and women, homosexuals and heterosexuals, separated only by cloth curtains that hung from ropes suspended between the beds, like floating walls.
A generational trauma through the lens of an Asian American teenager through food and poetry.
A documentary that explores bi-cultural identity through the Cuban-American lens, exploring the Cuban-American experience and their complicated relationship with Cuba.
