The sketches and drawings of iconic designer Yves Saint Laurent come to life in this documentary. Past colleagues and friends discuss his life and work while poring over some of the thousands of sketches the designer created in his lifetime.
Yves Saint Laurent
as himself
Pierre Bergé
Olivier Saillard
Laurence Benaïm
as herself
Elie Top
Manual Scavenging is an all India Phenomenon. However, the Government of India is kind enough to enact Prohibition of Employment as Manual Scavengers and their Rehabilitation Act and implementing many schemes. But none of them failed to work as the caste system is paramount in the so called democratic constitutional India. This film Kakkoos elaborates on the deplorable status.
Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.
Today, few people's clothes attract as much attention as the royal family, but this is not a modern-day paparazzi-inspired obsession. Historian Dr. Lucy Worsley, Chief Curator at Historic Royal Palaces, reveals that it has always been this way. Exploring the royal wardrobes of our kings and queens over the last four hundred years, Lucy shows this isn't just a public fascination, but an important and powerful message from the monarchs. From Elizabeth I to the present Queen Elizabeth II, Lucy explains how the royal wardrobe's significance goes far beyond the cut and color of the clothing. Royal fashion is, and has always been, regarded as a very personal statement to reflect their power over the reign. Most kings and queens have carefully choreographed every aspect of their wardrobe; for those who have not, there have sometimes been calamitous consequences. As much today as in the past, royal fashion is as much about politics as it is about elegant attire.
A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.
A documentary on the world of fashion. Using archive material, journalist Loïc Prigent remembers the key figures and events in the wacky world of haute couture, which is not always glamorous so much as downright vicious.
Directed by Marianne Chaud
A family in rural area of West Java, Indonesia enjoys their time with 'Ngadu Bagong', a sundanese traditional game where dogs put to fight against a wild boar in a single event. Ngadu Bagong has always been some sort of animal abuse but it's been in the tradition for a long time. Ade Rohmat has been in the game for a long time; a hobby that he now passes on to his daughter, Ilma Nurjanah. The potentially controversial Ngadu Bagong has always brought intense emotion, prestige, and fortune upon its practicioners.
Bajo el signo libertario is a propaganda documentary, with the script and direction of Les (known for his articles in Solidaridad Obrera and the magazine Espectáculo) whose central theme is the reconstruction of the development of life in a libertarian community in the Aragonese town of Pina de Ebro.
E42 is a cinematic exploration of the area in Rome knows as the EUR, a modernist landscape that was originally designated by Mussolini as the the site of the World Fair of 1942 and as a celebration of the 20 year anniversary of Fascism. Originally designed as a monumental space for public performance and collective acts of solidarity to the Fascist regime, this landscape was in fact never inaugurated. After the war, the 420 acre area was recuperated and today projects a timeless aura of an unfinished and temporary, empty and silent, monumental and imposing as well as an ephemeral landscape.
On June 14, 1977, the eve of the first democratic elections after Franco's regime, Llorenç Soler and his crew go out into the street and ask passers-by which party they are going to vote for.
1+8 is a dynamic eight-screen video installation about Turkey and her eight neighbors based on the feature film of the same name directed by Cynthia Madansky and Angelika Brudniak. Each screen features life on both sides of the border, from Armenia, Bulgaria, Georgia, Greece, Iran, Iraq, Nakchivan [Autonomous Republic of Azerbaijan] to Syria.
1+8 is a film about Turkey’s unique position between West and East and her relationship to her eight very distinct and diverse neighbors. 1+8 is filmed close up on border towns of Turkey with Greece, Bulgaria, Georgia, Armenia, Nakhchivan/Azerbaijan, Iran, Iraq, Syria and the Kurds who are scattered amongst the many without a homeland, exploring what connects and separates the people on both sides. The film showcases through intimate portraits, personal accounts and cinematographic tropes, Turkey’s eight borderlands revealing the political and cultural dynamics of life on those frontiers. The contemplation of all eight neighboring countries reveals the complexity and importance of Turkey’s geo-political position between West and East, Europe and Asia, the European Union and the Middle East.
How did Bonnard, one of the great masters of 20th-century painting, a secretive, anxious man with an ordinary everyday life, become this undisputed painter of intimacy, capable of transforming reality into a unique and incandescent world? Through his paintings, but also his private journals, his correspondence with Matisse and Vuillard, the photographs he loved, and the places where he lived, the film immerses us in the world of this master of color.