Experimental film directed by Dmitry Frolov, shot in the midst of perestroika in the USSR. February 1991. Starring the drummer for the MEANTRAITORS Vladislav Lyashchuk - a very peculiar musician played without bass drums and Toms.
Vladislav Lyashchuk
as Главная роль
Konstantin Arefyev
as Танцор с бородой
A young woman meets the ultimate terror, a supernatural reality-bending maniac with a very large collection of out of print VHS tapes.
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Orson Welles acted in Brazilian culture and music by deeply researching Brazil's historical geology, consciously completing a legendary cultural mission. Although being turned down by Hollywood producers, he developed a triumphantly accomplished mission in the language domain - three friends of Welles' testified his love for cinema, his passion for Brazilian music and people and his obstinate endurance against formidable pressures coming from inside and outside Hollywood regarding his unfinished "It's All True".
Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Overwhelmed by her husband’s medical bills, Sofia takes a desperate measure: she becomes an egoblogger.
Against the fascinating backdrop of an ever marvellous Havana, Vittorio Arditi De Bellis, an aging Italian orchestra conductor once celebrated for specialising in Rossini's compositions, has fallen on hard times. However, some remember he delivered some of the best renditions of the Rossini-Kyrie, and he soon finds himself reluctantly on the way to Havana, Cuba, to conduct the Children's Cuban National Choir. Starting on the wrong foot he quickly finds himself on the verge of losing everything. Rossini's Cuban style and the choir's children are also protagonists in this heart-warming and nostalgic tale of living, loving, growing old and being unexpectedly surprised when he meets the Son he never knew he fathered years ago - Vittorio's past adds new purpose to his present, allowing an otherwise quirky old man to feel his passion and taste the 'spice of life' once again.
When a tourist bus stops at a gas station, Chencho, one of the passengers, decides to go to the toilet.
A businessman goes home early to surprise his family and is treated with suspicion, mostly by his wife's bridge club.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
In Ireland in the mid 1960s, two feuding brothers and their respective Ceilidh bands compete at a music festival.
Space Case follows Bobbie Almond, a social outcast who has dreams to escape her small town life. She has a ticket to Mars! But when Bobbie's ticket to a new life gets stolen by her super Preppy sister, she's forced down a road of conformity, to be a part of the town's Beauty pageant! Will she conform? Or will she bail and follow her dreams!
Alcoholism and its Ill-Effects was considered to be one of the most popular science propaganda (or educational) films produced in Russia before the revolution of 1917. Alexander Khanzhonkov, the most prominent Russian film producer of that era, financed a special department dedicated to non-fictional cinema, despite the fact that such films were not commercially successful. Unfortunately, not a single copy of the film has survived to the present day. All that remains are 12 frames, which were used by Izvolov to create this reconstruction. He also used extracts from critical reviews, published at the time of the film’s release, to produce a soundtrack.
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.
“Let’s describe it as a desire to be outward followed by a fear of being seen,” The 1975’s Matty Healy tells Apple Music. “I think that is the conversation that happens in this record.” This short film finds Healy reflecting on his motivations and complexities as he and his bandmates reveal the ideas that fuelled their fourth album, Notes on a Conditional Form. It’s a unique and unguarded look at one of Britain’s most venturous bands.
