Artist Statement: "Lovesick" is an abstract analysis of idealization, objectification, and the Other; a dark fantasy peering into how we view and explore the complex darkness of human sexuality.
Cassandra Sechler
as
Focusing on developing relationships with the computer as a nonhuman entity, Listener is an iterative, site-specific performance artwork which speculates a future through Lakota ontology, narratively and physically manifesting a relationship with metals in electronics, performed via an electronic interface woven into hair (hair is sacred to the Lakota). The sonic landscape includes live police scanners, synthesizers played by the hair, and algorithmically re-arranging poetry with a voice speaking of a future landscape, prophecies, dreams, and the possibilities in listening.
Brought in by an ill wind, a stranger from another world falls to earth into the body of a young man. A glitch in this interchange hampers the alien consciousness to fully integrate in the new found carcass. We follow this being for a day in their muffled wander through earth.
Six students were terrorized by a mysterious dancer while running a community service program in a remote village. Apparently, one of them violates the most fatal rule in the village.
In the near future, an isolated man is tortured by his beloved memories.
A techno-dystopian vignette featuring music by Com Truise
A Boy Notices His Floor Has Eyes And Is Watching Him.
A girl gets lost in her inescapable nightmare as she is chased by the embodiment of her fears
Yolanda is a young girl who practices athletics, it's her passion. But she's not training the way she wants, there is something wrong on her life and it's about to explode.
Linda is a little girl rejected by other children and by her family. She lives in a small town where a serial killer is prowling. But one day, she sees a strange character on the street carrying a bag with an arm hanging out of it.
Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.
The Intruder was Toonami's first Total Immersion Event (T.I.E.). It premiered on September 18, 2000, and is remembered for bringing about the death of TOM 1 and the birth of TOM 2.
In a post-apocalyptic nuclear fallout shelter, a young scientist bothers their team leader with a series of progressively inane HR requests.
Science fiction is a rare genre in the otherwise rich and diverse history of Egyptian mainstream cinema. One exception is the film "The Master of Time", directed by Kamal El Sheikh in 1987. In this film, the main character, a scientist named Mr. Kamel, is obsessed with the idea of immortality. Through radical editing, Lebanese artist and filmmaker Rania Stephan captures the quintessence of this obsession. In her film, she eliminates all fictional elements from the original and retains only the transition shots featuring doors, gates, and all forms of crossing and passing through.
A young boy begins to suspect his mother may be possessed by a demonic entity.
After crash landing on a desolate planet, a lone space explorer must find a way to make her new home habitable. Using innovation, grit and courage, she casts out the darkness in this new land.
In this homage to Chris Marker's La Jetée (1962) sci-fi time travelling short film involves a woman novelist being visited by a scientist from he future, claiming to be her husband.