Documentary on psychedelic potash mines, expansive concrete seawalls, mammoth industrial machines, and other examples of humanity’s massive, destructive reengineering of the planet.
Alicia Vikander
as Narrator (voice)
Director Dan Farah got 34 senior members of the U.S. Government, military, and intelligence community to come on camera. He says they reveal an 80 year cover-up of the existence of non-human intelligent life and a secret war amongst major nations to reverse engineer technology of non-human origin. The film explores the profound impact the situation has on the future of humanity, while providing a look behind-the-scenes with those at the forefront of the bi-partisan disclosure effort.
On January 15, 1972, Leonid Pliouchtch, a Ukrainian mathematician who was unknown at the time, was locked up in a Soviet psychiatric institution and accused of dissidence. His wife, Tatiana, fought for his defense and contacted a committee of French mathematicians to help him. Led by Laurent Schwartz, they launched a three-year campaign to secure his release and succeeded in getting the USSR to back down on the issue.
Magical, autonomous, all-powerful… Artificial intelligences feed our dreams as well as our nightmares. But while tech giants promise the advent of a new humanity, the reality of their production remains totally hidden. While data centers are concreting landscapes and drying up rivers, millions of workers around the world are preparing the billions of data that will feed the voracious algorithms of Big Tech, at the cost of their mental and emotional health. They are hidden in the belly of AI. Could they be the collateral damage of the ideology of “Longtermism” that has been brewing in Silicon Valley for several years?
Learn and capture the history of unesco world heritage Hue in Vietnam. The Hue Imperial Tombs in Vietnam are a testament to the country's rich history and cultural heritage. These tombs, located in the former capital of the Nguyen Dynasty, are a collection of royal mausoleums that showcase the architectural grandeur and artistic accomplishments of the period. Recognizing their historical and cultural significance, UNESCO has included these tombs as part of the Complex of Hué Monuments, a UNESCO World Heritage site. This designation ensures that efforts are made to preserve and protect these structures for future generations. Each tomb is uniquely designed, reflecting the personality and preferences of the emperor it commemorates, with elaborate decorations, serene landscapes, and intricate carvings. UNESCO’s involvement not only highlights the global importance of the Hue Imperial Tombs but also aids in tracking and facilitating international support for their conservation.
Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.
Adapted from famous French actor Philippe Torreton’s best-seller, GRANDMA is the portrait of the actor’s grandmother: a modest, unique but universal Norman peasant. Enriched with amateur films, nourished by major historical events, GRANDMA also tells the story of the end of a world, that of the countryside of our grandmothers, before the abyss of modernity.
In the 1960s, the suburbs were meant to be modern havens for newcomers from rural France, Portugal, Spain, North Africa, and Africa, helping rebuild post-war France. Large housing complexes symbolized this ideal, offering comfort, heating, and electricity. But by the 1980s, disillusionment set in as economic crisis, unemployment, poverty, crime, racism, and police violence took hold. Mohamed Bouhafsi tells the story of a dream that didn’t last.
David Jones investigates how 1960s council housing came to be built so poorly that thousands later needed to be demolished.
Maurice Hines -- actor, director, singer, and choreographer -- navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.
Heinz Stücke left Germany in 1962 with a bike, a tent and a goal: to see everything in the world. Now for the first time in 50 years, he's come home.
In the excitement of the roaring 20s, a new kind of movie palace was constructed by the Bay. More than 90 years later, Tampa Theatre has become known as one of the most haunted buildings in the city, This Documentary uncovers the rich history and explores the unexplained events with a Team of Historians, Ghost Hunters and Staff.
He described his love of art as his greatest inclination from his youth: Johann Joachim Winckelmann as a representative and rediscoverer of Greek and Roman antiquity. He was the father of European art history and was the victim of a robbery-murder in 1768. The documentary tells of his life, his work and his early death.
A moving meditation on guilt and reconciliation, Bloodlines explores the unwritten cost of war and genocide on future generations - of both victims and perpetrators. As Bettina Goering, grandniece of Nazi war criminal Herman Goering, searches for a way to come to terms with her heritage, she meets Ruth Rich, a painter and daughter of Holocaust survivors. At a time when seemingly irreconcilable divisions between groups are tearing the world apart, this deeply hopeful film is a beautiful testament to the power of dialogue and post-conflict reconciliation.
Two well-known Quebec artists (filmmaker Jacques Godbout and playwright René-Daniel Dubois) look at the Battle of the Plains of Abraham. Whose version of this historic event should prevail? Is history best served by documentary or fiction? We also meet Baron Georges Savarin de Marestan and Andrew Wolfe-Burroughs, direct descendants of Montcalm and Wolfe, both of whom died in the battle that would give birth to Canada and to the province of Quebec.
The face of stone. About the natural beauty of Ural gemstones, about the unparalleled beauty of pieces and jewellery made by Russian master jewellers. Malachite was used in the furnishing of the lounge room at the Winter Palace in St. Petersburg, which is why it is called the Malachite Room. Also featured are malachite items made using the complex technique of Russian mosaic. This semi-precious stone became widely used by craftsmen after the discovery of huge malachite deposits in the Demidov mines in the Urals.