Ett folk, Ett parti

The Man Who Was Too Free

A documentary about Boris Nemtsov, a prominent figure of Russian political opposition and an outspoken critic of Vladimir Putin. Nemtsov was murdered in Moscow in February of 2015.

Nazis on Drugs: Hitler and the Blitzkrieg

For all its talk of racial, spiritual, and physical purity, the self-anointed “Master Race” harbored a secret…theirs was an axis of drug addicts. This two-hour special explores the origin, impact, and lasting effects of the state-sponsored drug use that helped build—and eventually burned—the Third Reich. Incredible new sources of information, including a detailed journal maintained by Hitler’s personal physician, reveal the extent of not just his, but the entire Nazi Party’s reliance on drugs to power their war effort.

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

All About Ann: Governor Richards of the Lone Star State

All About Ann celebrates the achievements of larger-than-life Ann Richards, who became the first elected female governor of Texas. Her cool demeanor, acid wit, and passion for social inclusivity made her one of the most powerful and progressive governors in U.S. history, a liberal democrat intent on building “the new Texas.” But, when the 1994 election begins, Richards is faced with her toughest challenge yet, as an increasingly conservative majority turn towards a new, pro-business candidate: George W. Bush.

Queen of New York

Welcome to a different kind of drag race! As NYC emerges from the chaos of 2020, Marti Cummings (they/them), an audacious and big-hearted drag queen, goes all out in a historic bid to become a City Councilperson. It’s one of the most hotly contested Council races in years, and Marti’s strongest competitor is Shaun Abreu, a tenants’ lawyer with deep roots in the district’s Latinx community. As these first-timers race to do the most good for their Upper Manhattan neighbors, they offer very different visions for Democratic politics – one in a suit and tie, the other in combat boots and floral print. As this immersive documentary reveals, Marti’s passion inspires queer activists and allies to change the political system. Their campaign becomes a community of its own, especially for Marti’s non-binary peers who have never before seen themselves represented.

Olympia: Part One – Festival of the Nations

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Lobanov

The 2021 Duma elections made Mikhail Lobanov a recognizable Moscow politician. The 37-year-old mathematician, lecturer at the Moscow State University, has long been involved in social activities: ten years ago he opposed political agitation at the university, participated in the creation of an independent association of university employees to protect their rights, and was almost fired for his activism. In 2021 elections, Lobanov ran for the Communist Party (he is not a member of the party, calls himself a democratic socialist) and waged a powerful grassroots campaign against the pro-government candidate, TV presenter Yevgeny Popov.

2 or 3 Things I Know About Him

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Dixie Chicks: Shut Up and Sing

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

Wattstax

A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.

Dreams adrift

Mike Porcel is the lost member of the Cuban Nueva Trova musical movement. His lack of “revolutionary spirit” condemned him to the scorn of his peers and made him a pariah for a decade, until he managed to go into exile. Without resentment, but without forgetting, the film reconstructs his story and revives a forgotten brilliance.

Street Fight

This documentary follows the 2002 mayoral campaign in Newark, New Jersey, in which a City Councilman, Cory Booker, attempted to unseat longtime mayor Sharpe James.

The Term. Beginning of a Big Story

The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

Let's Not Live Like Slaves