Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.
Dmitriy Shibanov
as 1-й товарищ
Mark Nahamkin
as 2-й товарищ
Mikhail Sopov
as 3-й товарищ
Natalya Surkova
as Подруга
Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.
Oscar and Sergio have been in a relationship for 5 years. They live together and they have very different personalities: Oscar is more passionate and emotional and Sergio has a much more mental role. On a random afternoon on a random day, one of them decides to ask the other if he would be interested in starting an open relationship.
Feeling unhappy in his current home, a squirrel seeks an opportunity to break free and find the place he truly belongs.
Ireland, Easter, 1916. In Dublin, Irish rebel Patrick Pearse leads a revolt to free Ireland from the grips of the British Empire. Owen, a young Irish patriot, wants to join them in their fight for freedom.
A portriat of the daily lives of Beatriz and Gilberto, a couple that has been together for over 40 years. A reflection about love and marriage. An intimate glimpse into the lives of two people who struggle to live in harmony.
Mater the tow truck travels from country to country as he retells his infamous but unbelievable stories.
A beautifully wrought superimposition in black-and-white, MANSFIELD PRODUCT COMPANY layers a crane demolishing a car with two young men installing a stove. The fact that this haiku on the industrial lifecycle was shot in Kevin Jerome Everson's hometown of Mansfield, Ohio, lends a personal dimension to the visual mingling of old and new. - Max Goldberg
Kevin Jerome Everson's single-take film of a street hustler's sleight-of-hand game takes its place in a rowdy crowd of onlookers. The camera stays focused on the man's fleet fingers while the audio is glued to his gift of gab: "Keep your eyes on that little red dot if you want to win cold cash money on the spot." Every bit the performer, the hustler makes us wonder whether the film itself might be a kind of shell game (with the seemingly raw immediacy of the shot concealing its artistic intentionality). - Max Goldberg
One of several Kevin Jerome Everson pieces regarding African-American rodeo riders, SECOND PLACE brings us inside the big show. The jerkily pixilated view of a bucking bull offers an aesthetic equivalent of the cowboy's wild ride while the film's silence lends an unexpected repose to the contest. Whether anticipating a bull's blasting out of the gate or watching an old hand stretch out his back, Everson's camera is ever-attentive to the action at the edge of the frame. - Max Goldberg
A film about a young woman's future plans in Munich, Germany. MUNCHEN, RAPHAELA (also known as RAPHAELA RING MUNCHEN) is part of Mike Plante's Lunchfilm series of commissioned shorts (made for the cost of a lunch between Plante and filmmaker Kevin Jerome Everson).
Anita and her children, Santa and Kristaps, live in an apartment in Riga. Every year, they celebrate New Year’s Eve with grandma, uncle Peter and a feast fit for kings…
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
A disc jockey, a pimp and an Italian tourist escape from jail in New Orleans.
The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.
Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.
Ayoub Gad al-Haq, "Fouad El Mohandes," a simple employee, is struck by the great resemblance between him and the husband of the deceased employer in a big trouble where the small employer's daughter is concerned, thinking that he is her father who died in an accident. The employer asks him to hire a secretary at home so that her daughter, who is not aware of the death of her father, will not be shocked. He falls in love with her, but he does not forget the fact that she is Hanim and he is just a poor employee